Challenging the idea that fantastic literature emerged in the Romantic period, Sandner shows that fantastic tales were popular throughout the eighteenth century. Reading fiction and criticism by Joseph Addison, Samuel Johnson, Ann Radcliffe, Mary Shelley and Walter Scott, among others, Sandner argues that the fantastic functions as a discourse of the sublime imagination and thereby redefines the antecedents of the fantastic.
Challenging the idea that fantastic literature emerged in the Romantic period, Sandner shows that fantastic tales were popular throughout the eighteenth century. Reading fiction and criticism by Joseph Addison, Samuel Johnson, Ann Radcliffe, Mary Shelley and Walter Scott, among others, Sandner argues that the fantastic functions as a discourse of the sublime imagination and thereby redefines the antecedents of the fantastic.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
David Sandner is Associate Professor of English at California State University, Fullerton. He is author of The Fantastic Sublime and editor of Fantastic Literature: A Critical Reader.
Inhaltsangabe
Introduction Romanticism as the Origin and End of the Fantastic David Sandner; Chapter 1 The Fairy Way of Writing David Sandner; Chapter 2 Interlocked Definitions David Sandner; Chapter 3 The Sublime and Fantastic David Sandner; Chapter 4 Romantic Wildness and Fantastic Modernity in Anti-Apparition Writings the Ballad Controversy and Romance Criticism David Sandner; Chapter 5 The Fantastic and the Fabulous Past David Sandner; Chapter 6 Gothick Pasts and Gothick Futures David Sandner; Chapter 7 "This Wild Strain of Imagination" David Sandner; Chapter 8 Fairy Unexplained in Ann David Sandner; Chapter 9 Supernatural Modernity in Walter Scott's Redgauntlet and James Hogg's The Private Memoirs and Confessions of a Justified Sinner David Sandner; Chapter 10 The Floating Corpse of Fairyland David Sandner; Chapter 11 On "Two Faults" in "a Work of Such Pure Imagination" David Sandner; Chapter 12 "Faery Lands Forlorn" and the Failure of the Imagination David Sandner; Afterword A Typology of the Fantastic David Sandner; Chapter 102 Appendix A Chronology of Early Critical Sources on the Fantastic David Sandner;
Introduction Romanticism as the Origin and End of the Fantastic David Sandner; Chapter 1 The Fairy Way of Writing David Sandner; Chapter 2 Interlocked Definitions David Sandner; Chapter 3 The Sublime and Fantastic David Sandner; Chapter 4 Romantic Wildness and Fantastic Modernity in Anti-Apparition Writings the Ballad Controversy and Romance Criticism David Sandner; Chapter 5 The Fantastic and the Fabulous Past David Sandner; Chapter 6 Gothick Pasts and Gothick Futures David Sandner; Chapter 7 "This Wild Strain of Imagination" David Sandner; Chapter 8 Fairy Unexplained in Ann David Sandner; Chapter 9 Supernatural Modernity in Walter Scott's Redgauntlet and James Hogg's The Private Memoirs and Confessions of a Justified Sinner David Sandner; Chapter 10 The Floating Corpse of Fairyland David Sandner; Chapter 11 On "Two Faults" in "a Work of Such Pure Imagination" David Sandner; Chapter 12 "Faery Lands Forlorn" and the Failure of the Imagination David Sandner; Afterword A Typology of the Fantastic David Sandner; Chapter 102 Appendix A Chronology of Early Critical Sources on the Fantastic David Sandner;
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