Critical Genre Analysis as a theory of discursive performance is an attempt to be as objective as possible, rigorous in analytical endeavour, using a multiperspective and multidimensional methodological framework taking into account interdiscursive aspects of genre construction to make it increasingly explanatory to demystify discursive performance in a range of professional contexts. This book develops an approach to a more critical and deeper understanding of interdiscursive professional voices and actions.
Critical Genre Analysis as a theory of discursive performance is an attempt to be as objective as possible, rigorous in analytical endeavour, using a multiperspective and multidimensional methodological framework taking into account interdiscursive aspects of genre construction to make it increasingly explanatory to demystify discursive performance in a range of professional contexts. This book develops an approach to a more critical and deeper understanding of interdiscursive professional voices and actions.
Vijay Bhatia is CEO and Academic Director of ESP Communication Services and also the founding President of the LSP and Professional Communication Association for Asia-Pacific. He retired as Professor from the City University of Hong Kong and is now Adjunct Professor at Macquarie University, Australia, and University of Malaya, Kuala Lumpur.
Inhaltsangabe
Part 1: Overview 1. Genres Analysis and Beyond: Towards Critical Genre Analysis Part 2: Theoretical Framework 2. Criticality in Professional Genres/Practice 3. Interdiscursivity in Genre Theory 4. Multi-perspective and Multi-dimensional Analysis Part 3: Analysing Discursive Performance in Specific Contexts 5. Demystification of Corporate Disclosure Practices 6. Interdiscursive Colonisation of Arbitration Practices 7. Appropriation of Marketing Strategies in Fundraising Practices 8. Managing Interdiscursive Space and Participation in New Media Practices Part 4: Looking Beyond 9. Critical Genre Theory as Interdiscursive Performance
Part 1: Overview 1. Genres Analysis and Beyond: Towards Critical Genre Analysis Part 2: Theoretical Framework 2. Criticality in Professional Genres/Practice 3. Interdiscursivity in Genre Theory 4. Multi-perspective and Multi-dimensional Analysis Part 3: Analysing Discursive Performance in Specific Contexts 5. Demystification of Corporate Disclosure Practices 6. Interdiscursive Colonisation of Arbitration Practices 7. Appropriation of Marketing Strategies in Fundraising Practices 8. Managing Interdiscursive Space and Participation in New Media Practices Part 4: Looking Beyond 9. Critical Genre Theory as Interdiscursive Performance
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