This book shows the integral role of the "conscious African family" in developing commercial success stories such as those of Morrison's protagonist, Bride. Bride's accomplishments are an extension of a superficial "cult of celebrity" until a significant journey helps her redefine success by building a community and family.
This book shows the integral role of the "conscious African family" in developing commercial success stories such as those of Morrison's protagonist, Bride. Bride's accomplishments are an extension of a superficial "cult of celebrity" until a significant journey helps her redefine success by building a community and family.
Edited by Rhone Fraser and Natalie King-Pedroso - Contributions by Na'Imah Ford; Yolanda Franklin; Rhone Fraser; Natalie King-Pedroso; Xenia Liashuk; Sukanya Senapati; Khalilah Watson; Jericho Williams and Jasmin Wilson
Inhaltsangabe
Acknowledgments Editors' Introductions Natalie King-Pedroso Rhone Fraser Part I: Protagonist as Child Chapter 1. Raising the Inner Child: Lessons in Emotional Development in God Help the Child Jasmin Wilson Chapter 2. "The House That Race Built:" Declarations of Toni Morrison's Prophetic Voice in God Help the Child and The Bluest Eye Khalilah Watson Chapter 3. Making Black Lives and Families Matter: Honoring Family and Fatherhood in God Help the Child Sukanya Senapati Chapter 4. Harvesting Sight and Mind: The Crippling of Community in Toni Morrison's God Help the Child Jericho Williams Part II: Protagonist as Professional Chapter 5. "Sistah From Another Mista": Examining the Familial Bond Between Bride and Brooklyn in Toni Morrison's God Help the Child Na'Imah Ford Chapter 6. The Loss and Regaining of Self: Identity Negotiation in Toni Morrison's God Help the Child Xenia Liashuk Chapter 7. "Memory is the Worst Thing About Healing:" Acknowledging Multigenerational Trauma and the Middle Passage Voyage of the Sable Venus in Toni Morrison's God Help the Child Yolanda Franklin Part III: Protagonist as Partner Chapter 8. Socialized to Silence: A Close Reading of Lula Ann Bridewell and Booker Starbern in God Help the Child According to Kobi Kambon's African Self-Consciousness Model Rhone Fraser Chapter 9. "You Will Love Them, No Matter How Ugly Their Truth Is": Truth, Onomastics, and Black Women's Humanity in Toni Morrison's God Help the Child and Mara Brock Akil's Being Mary Jane Natalie King-Pedroso Appendix A. Discussion Questions: Conflicts in Comradeship Index About the Editors About the Contributors
Acknowledgments Editors' Introductions Natalie King-Pedroso Rhone Fraser Part I: Protagonist as Child Chapter 1. Raising the Inner Child: Lessons in Emotional Development in God Help the Child Jasmin Wilson Chapter 2. "The House That Race Built:" Declarations of Toni Morrison's Prophetic Voice in God Help the Child and The Bluest Eye Khalilah Watson Chapter 3. Making Black Lives and Families Matter: Honoring Family and Fatherhood in God Help the Child Sukanya Senapati Chapter 4. Harvesting Sight and Mind: The Crippling of Community in Toni Morrison's God Help the Child Jericho Williams Part II: Protagonist as Professional Chapter 5. "Sistah From Another Mista": Examining the Familial Bond Between Bride and Brooklyn in Toni Morrison's God Help the Child Na'Imah Ford Chapter 6. The Loss and Regaining of Self: Identity Negotiation in Toni Morrison's God Help the Child Xenia Liashuk Chapter 7. "Memory is the Worst Thing About Healing:" Acknowledging Multigenerational Trauma and the Middle Passage Voyage of the Sable Venus in Toni Morrison's God Help the Child Yolanda Franklin Part III: Protagonist as Partner Chapter 8. Socialized to Silence: A Close Reading of Lula Ann Bridewell and Booker Starbern in God Help the Child According to Kobi Kambon's African Self-Consciousness Model Rhone Fraser Chapter 9. "You Will Love Them, No Matter How Ugly Their Truth Is": Truth, Onomastics, and Black Women's Humanity in Toni Morrison's God Help the Child and Mara Brock Akil's Being Mary Jane Natalie King-Pedroso Appendix A. Discussion Questions: Conflicts in Comradeship Index About the Editors About the Contributors
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