Cross-Cultural Interaction Between Byzantium and the West, 1204-1669

Whose Mediterranean Is It Anyway?
Herausgeber: Lymberopoulou, Angeliki

• Gebundenes Buch

Produktbeschreibung

The Early Modern Mediterranean was an area where many different cultural traditions came in contact with each other, were often forced to co-exist, and frequently learned to reap the benefits of co-operation. The aim of this volume is to explore and re-examine one specific aspect of this cross-cultural interaction in the Mediterranean - that between the Byzantine East and the (mainly Italian) West.

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Produktdetails

• Publications of the Society for the Promotion of Byzantine Studies
• Verlag: Taylor & Francis Inc
• Seitenzahl: 346
• Erscheinungstermin: 27. März 2018
• Englisch
• Abmessung: 165mm x 241mm x 24mm
• Gewicht: 808g
• ISBN-13: 9780815372677
• ISBN-10: 0815372671
• Artikelnr.: 52376082

Autorenporträt

Angeliki Lymberopoulou is Senior Lecturer in Art History (late and post-Byzantine art) at The Open University, UK. Her research interests focus on Venetian Crete (1211-1669) and the cross-cultural interactions and exchanges between Greek Orthodox and Roman Catholic Christians in the wider Mediterranean. She also examines Palaiologan Byzantine art produced in the major artistic centres during the last phase of the Empire - Constantinople, Thessaloniki and Mystras. She is the author of The Church of the Archangel Michael at Kavalariana: Art and Society on Fourteenth-Century Venetian-Dominated Crete (London, 2006) and co-editor (with Rembrandt Duits) of Byzantine Art and Renaissance Europe (Farnham, 2013).

Inhaltsangabe

1. Introduction (Angeliki Lymberopoulou; appendix compiled with Fiona
Haarer) Part 1: Byzantium and the West: Evidence from Crete 2. Cultural
Interaction in Candia: Case Studies in a Developing Early Modern
Multi-ethnic Community (Diana Newall) 3. Aspects of Artistic Exchange on
Crete: Remarks and Question Marks Concerning the Presence of Venetian
Painters on the Island in the Fourteenth and Fifteenth Centuries (Maria
Constantoudaki-Kitromilides) 4. The Fogg Triptych: Testimony of a Case
Study to the Society and its Artistic Production in Venetian Crete
(Angeliki Lymberopoulou) 5. Artistic Interactions between Byzantium and
Italy in the Palaiologan Era: The Case of Hell (Rembrandt Duits) Part 2:
Byzantium and the West: Evidence from Cyprus 6. The Byzantine Tradition in
Late Medieval Cyprus: Selective Continuity and Creative Diversification
(Tassos Papacostas) 7. Giotto's Quadrilobes: Transmigrations of Italianate
Ornaments in the Eastern Mediterranean (Michele Bacci) 8. East is East and
West is West? Artistic Interchange Across Frontiers in the Eastern
Mediterranean (Ioanna Christoforaki) Part 3: Byzantium and the West:
Evidence from the Peloponnese 9. Between East and West: Locating Monumental
Paintings from the Peloponnese (Sharon E.J. Gerstel and Michalis Kappas)
10. The Elephant on the Page: Ciriaco d'Ancona in Mystras (Andrea
Mattiello) Part 4: Byzantium and the West: Evidence from the Wider
Mediterranean 11. Space, Place and Culture: Processions Across the
Mediterranean (Leslie Brubaker) 12. Sister, Widow, Consort, Bride: Four
Latin Ladies in Greece (1330-1430) (Dionysios Stathakopoulos) 13. Made in
Byzantium? Mosaics after 1204? (Liz James) 14. The Royal Deesis - An
Anti-Latin Image of Late Byzantine Art (Ágnes Kriza) 15. Epeiros between
Byzantium and the West in the Thirteenth and Early Fourteenth Centuries:
Visual Evidence (Leonela Fundi¿) 16. The Fate of Bells under Ottoman Rule:
Between Destruction and Negotiation (Alex Rodriguez Suarez) 17. Illustrated
Medical Manuscripts in Late Palaiologan Constantinople and Their Fortune in
Sixteenth-century Italy (Francesca Marchetti)