Mary E. Frandsen

Crossing Confessional Boundaries

The Patronage of Italian Sacred Music in Seventeenth-Century Dresden

• Broschiertes Buch

Produktbeschreibung

This book is an examination of the uneasy alliance of two confessions, Lutheran and Catholic, at the prominent seventeenth-century court of Dresden, and the implications of this alliance for the repertoire of sacred art music cultivated there, an influential repertoire that has received only scant attention from scholars.

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Produktdetails

• Verlag: Oxford University Press
• Seitenzahl: 530
• Erscheinungstermin: 1. Dezember 2011
• Englisch
• Abmessung: 234mm x 156mm x 28mm
• Gewicht: 796g
• ISBN-13: 9780199862498
• ISBN-10: 0199862494
• Artikelnr.: 34156944

Autorenporträt

Mary Frandsen is a member of the music faculty at the University of Notre Dame. She currently serves as Chair of the American Heinrich Schütz Society and is a member of the Governing Board of the Society for Seventeenth-Century Music.

Inhaltsangabe

Abbreviations
List of Musical Examples
Prologue: The Forgotten Mäzen Johann Georg II
1. The Advent of the Italiens, 1651-56
2. The Itatienate Hofkapelle of Johann Georg II, 1656-80
3. Johann Georg II and the Problem of Catholocism
4. Piety, Penitance, and Praise: The Dresden Textual Repetoire
5. Roma trapianata: The New Sacred Concerto in Dresden
6. Musica pathetica: Style and Affect in the Dresden Concerto
7. Johann Georg's Vision for Worship
8. Musik im Gottesdienst: The Liturgical Year at the Dresden Court
Epilogue: Johann Georg II Remembered
Appendix I: Source Documents
Appendix II: Sacred Vocal Works of the Principle Dresden Court Composers
Bibliography of Primary Sources
Bibliography of Secondary Sources
Index