"Deeply engaging, well-researched, and effective, "Crossing the Line" is a fine multidisciplinary study not only of passing narratives but of the social, political, and economic struggles that they negotiate in racial terms."-- Priscilla Wald, author of "Constituting Americans: Cultural Anxiety and Narrative Form"
"Deeply engaging, well-researched, and effective, "Crossing the Line" is a fine multidisciplinary study not only of passing narratives but of the social, political, and economic struggles that they negotiate in racial terms."-- Priscilla Wald, author of "Constituting Americans: Cultural Anxiety and Narrative Form"Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Gayle Wald is Assistant Professor of English at George Washington University.
Inhaltsangabe
Preface Acknowledgments Introduction: Race, Passing, and Cultural Representation > 1. Home Again: Racial Negotiations in Modernist African American Passing Narratives > 2. Mezz Mezzrow and the Voluntary Negro Blues 3. Boundaries Lost and Found: Racial Passing and Cinematic Representation, circa 1949 > 4. “I’m Through with Passing”: Postpassing Narratives in Black Popular Literary Culture 5. “A Most Disagreeable Mirror”: Reflections on White Identity in Black Like Me Epilogue: Passing, “Color Blindness,” and Contemporary Discourses of Race and Identity Notes Bibliography Index
Preface Acknowledgments Introduction: Race, Passing, and Cultural Representation > 1. Home Again: Racial Negotiations in Modernist African American Passing Narratives > 2. Mezz Mezzrow and the Voluntary Negro Blues 3. Boundaries Lost and Found: Racial Passing and Cinematic Representation, circa 1949 > 4. “I’m Through with Passing”: Postpassing Narratives in Black Popular Literary Culture 5. “A Most Disagreeable Mirror”: Reflections on White Identity in Black Like Me Epilogue: Passing, “Color Blindness,” and Contemporary Discourses of Race and Identity Notes Bibliography Index
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