CrossTalk
Canadian and Global Imaginaries in Dialogue
Herausgeber: Brydon, Diana; Dvo&
CrossTalk
Canadian and Global Imaginaries in Dialogue
Herausgeber: Brydon, Diana; Dvo&
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Explores the value of attending to narratorial, lyric, and theatrical conventions in dialogue with questions of epistemological and social justice. Demonstrates how literary and critical conventions and theories operate within and across cultures.
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Explores the value of attending to narratorial, lyric, and theatrical conventions in dialogue with questions of epistemological and social justice. Demonstrates how literary and critical conventions and theories operate within and across cultures.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Wilfrid Laurier University Press
- Seitenzahl: 330
- Erscheinungstermin: 27. April 2012
- Englisch
- Abmessung: 231mm x 155mm x 25mm
- Gewicht: 590g
- ISBN-13: 9781554582648
- ISBN-10: 1554582644
- Artikelnr.: 31288950
- Verlag: Wilfrid Laurier University Press
- Seitenzahl: 330
- Erscheinungstermin: 27. April 2012
- Englisch
- Abmessung: 231mm x 155mm x 25mm
- Gewicht: 590g
- ISBN-13: 9781554582648
- ISBN-10: 1554582644
- Artikelnr.: 31288950
Table of Contents for
Crosstalk: Canadian and Global Imaginaries in Dialogue, edited by Diana
Brydon and Marta Dvorák
1. Introduction: Negotiating Meaning in Changing Times Diana Brydon and
Marta Dvorák
2. "Whirlwinds Coiled at My Heart": Voice and Vision in a Writer's
Practice" Olive Senior
Section One: Collaboration, Crosstalk, Improvisation
3. Voicing the Unforeseeable: Improvisation, Social Practice, Collaborative
Research Ajay Heble and Winfried Siemerling
4. Epistemological Crosstalk: Between Melancholia and Spiritual Cosmology
in David Chariandy's Soucouyant and Lee Maracle's Daughters Are Forever
Daniel Coleman
5. Native Performance Culture, Monique Mojica, and the Chocolate Woman
Workshops Ric Knowles
6. Collaboration and Convention in the Poetry of Pain Not Bread Alison
Calder
Section Two: Dialogism, Polyphony, Voice
7. Rejoinders in a Planetary Dialogue: J.M. Coetzee, Margaret Atwood, Lloyd
Jones et al. in Dialogue with Absent Texts Marta Dvorák
8. Not Just Representation: The Sound and Concrete Poetries of the Four
Horsemen Frank Davey
9. Portraits of the Artist in Dionne Brand's What We All Long For and
Madeleine Thien's Certainty Pilar Cuder-Domínguez
10. Unsettling Voices: Dionne Brand's Cosmopolitan Cities Sandra Regina
Goulart Almeida
11. Questions of Voice, Race, and the Body in Hiromi Goto's Chorus of
Mushrooms and Larissa Lai's When Fox Is a Thousand Charlotte Sturgess
Section Three: Space, Place, and Circulation
12. The Artialisation of Landscape in Jane Urquhart's The Whirlpool
Claire Omhovère
13. Ghostly Voices and Arctic Blanks: From Emily Brontë's Wuthering Heights
to Jane Urquhart's Changing Heaven Catherine Lanone
14. "You must see to understand...": Orientalist Clichés and Transformation
in Robert Lepage's The Dragons' Trilogy Christine Lorre-Johnston
15. Diasporic Appropriations: Exporting South Asian Culture from Canada
Chelva Kanaganayakam
16. Negotiating Belonging in Global Times: The Hérouxville Debates Diana
Brydon
Works Cited
Contributors
Index
Crosstalk: Canadian and Global Imaginaries in Dialogue, edited by Diana
Brydon and Marta Dvorák
1. Introduction: Negotiating Meaning in Changing Times Diana Brydon and
Marta Dvorák
2. "Whirlwinds Coiled at My Heart": Voice and Vision in a Writer's
Practice" Olive Senior
Section One: Collaboration, Crosstalk, Improvisation
3. Voicing the Unforeseeable: Improvisation, Social Practice, Collaborative
Research Ajay Heble and Winfried Siemerling
4. Epistemological Crosstalk: Between Melancholia and Spiritual Cosmology
in David Chariandy's Soucouyant and Lee Maracle's Daughters Are Forever
Daniel Coleman
5. Native Performance Culture, Monique Mojica, and the Chocolate Woman
Workshops Ric Knowles
6. Collaboration and Convention in the Poetry of Pain Not Bread Alison
Calder
Section Two: Dialogism, Polyphony, Voice
7. Rejoinders in a Planetary Dialogue: J.M. Coetzee, Margaret Atwood, Lloyd
Jones et al. in Dialogue with Absent Texts Marta Dvorák
8. Not Just Representation: The Sound and Concrete Poetries of the Four
Horsemen Frank Davey
9. Portraits of the Artist in Dionne Brand's What We All Long For and
Madeleine Thien's Certainty Pilar Cuder-Domínguez
10. Unsettling Voices: Dionne Brand's Cosmopolitan Cities Sandra Regina
Goulart Almeida
11. Questions of Voice, Race, and the Body in Hiromi Goto's Chorus of
Mushrooms and Larissa Lai's When Fox Is a Thousand Charlotte Sturgess
Section Three: Space, Place, and Circulation
12. The Artialisation of Landscape in Jane Urquhart's The Whirlpool
Claire Omhovère
13. Ghostly Voices and Arctic Blanks: From Emily Brontë's Wuthering Heights
to Jane Urquhart's Changing Heaven Catherine Lanone
14. "You must see to understand...": Orientalist Clichés and Transformation
in Robert Lepage's The Dragons' Trilogy Christine Lorre-Johnston
15. Diasporic Appropriations: Exporting South Asian Culture from Canada
Chelva Kanaganayakam
16. Negotiating Belonging in Global Times: The Hérouxville Debates Diana
Brydon
Works Cited
Contributors
Index
Table of Contents for
Crosstalk: Canadian and Global Imaginaries in Dialogue, edited by Diana
Brydon and Marta Dvorák
1. Introduction: Negotiating Meaning in Changing Times Diana Brydon and
Marta Dvorák
2. "Whirlwinds Coiled at My Heart": Voice and Vision in a Writer's
Practice" Olive Senior
Section One: Collaboration, Crosstalk, Improvisation
3. Voicing the Unforeseeable: Improvisation, Social Practice, Collaborative
Research Ajay Heble and Winfried Siemerling
4. Epistemological Crosstalk: Between Melancholia and Spiritual Cosmology
in David Chariandy's Soucouyant and Lee Maracle's Daughters Are Forever
Daniel Coleman
5. Native Performance Culture, Monique Mojica, and the Chocolate Woman
Workshops Ric Knowles
6. Collaboration and Convention in the Poetry of Pain Not Bread Alison
Calder
Section Two: Dialogism, Polyphony, Voice
7. Rejoinders in a Planetary Dialogue: J.M. Coetzee, Margaret Atwood, Lloyd
Jones et al. in Dialogue with Absent Texts Marta Dvorák
8. Not Just Representation: The Sound and Concrete Poetries of the Four
Horsemen Frank Davey
9. Portraits of the Artist in Dionne Brand's What We All Long For and
Madeleine Thien's Certainty Pilar Cuder-Domínguez
10. Unsettling Voices: Dionne Brand's Cosmopolitan Cities Sandra Regina
Goulart Almeida
11. Questions of Voice, Race, and the Body in Hiromi Goto's Chorus of
Mushrooms and Larissa Lai's When Fox Is a Thousand Charlotte Sturgess
Section Three: Space, Place, and Circulation
12. The Artialisation of Landscape in Jane Urquhart's The Whirlpool
Claire Omhovère
13. Ghostly Voices and Arctic Blanks: From Emily Brontë's Wuthering Heights
to Jane Urquhart's Changing Heaven Catherine Lanone
14. "You must see to understand...": Orientalist Clichés and Transformation
in Robert Lepage's The Dragons' Trilogy Christine Lorre-Johnston
15. Diasporic Appropriations: Exporting South Asian Culture from Canada
Chelva Kanaganayakam
16. Negotiating Belonging in Global Times: The Hérouxville Debates Diana
Brydon
Works Cited
Contributors
Index
Crosstalk: Canadian and Global Imaginaries in Dialogue, edited by Diana
Brydon and Marta Dvorák
1. Introduction: Negotiating Meaning in Changing Times Diana Brydon and
Marta Dvorák
2. "Whirlwinds Coiled at My Heart": Voice and Vision in a Writer's
Practice" Olive Senior
Section One: Collaboration, Crosstalk, Improvisation
3. Voicing the Unforeseeable: Improvisation, Social Practice, Collaborative
Research Ajay Heble and Winfried Siemerling
4. Epistemological Crosstalk: Between Melancholia and Spiritual Cosmology
in David Chariandy's Soucouyant and Lee Maracle's Daughters Are Forever
Daniel Coleman
5. Native Performance Culture, Monique Mojica, and the Chocolate Woman
Workshops Ric Knowles
6. Collaboration and Convention in the Poetry of Pain Not Bread Alison
Calder
Section Two: Dialogism, Polyphony, Voice
7. Rejoinders in a Planetary Dialogue: J.M. Coetzee, Margaret Atwood, Lloyd
Jones et al. in Dialogue with Absent Texts Marta Dvorák
8. Not Just Representation: The Sound and Concrete Poetries of the Four
Horsemen Frank Davey
9. Portraits of the Artist in Dionne Brand's What We All Long For and
Madeleine Thien's Certainty Pilar Cuder-Domínguez
10. Unsettling Voices: Dionne Brand's Cosmopolitan Cities Sandra Regina
Goulart Almeida
11. Questions of Voice, Race, and the Body in Hiromi Goto's Chorus of
Mushrooms and Larissa Lai's When Fox Is a Thousand Charlotte Sturgess
Section Three: Space, Place, and Circulation
12. The Artialisation of Landscape in Jane Urquhart's The Whirlpool
Claire Omhovère
13. Ghostly Voices and Arctic Blanks: From Emily Brontë's Wuthering Heights
to Jane Urquhart's Changing Heaven Catherine Lanone
14. "You must see to understand...": Orientalist Clichés and Transformation
in Robert Lepage's The Dragons' Trilogy Christine Lorre-Johnston
15. Diasporic Appropriations: Exporting South Asian Culture from Canada
Chelva Kanaganayakam
16. Negotiating Belonging in Global Times: The Hérouxville Debates Diana
Brydon
Works Cited
Contributors
Index