Crow-Blue, Crow-Black - Livingston, Chip
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Chip Livingston confronts and immerses himself into new cultural territories in his second poetry collection, CROW-BLUE, CROW-BLACK, an examination-critical, colloquial, and personal-of identity in terms of geography, experience, and blood quantum. A southern, gay, mixed-blood poet is thrust into the big-city literary life of the New York School artists in Greenwich Village, yet finds "home" in Uruguay with an Argentinean. CROW-BLUE, CROW-BLACK crosses traditional Native American narrative and incantatory styles with the quick-witted street poems of the New York School. It crosses the border…mehr

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Produktbeschreibung
Chip Livingston confronts and immerses himself into new cultural territories in his second poetry collection, CROW-BLUE, CROW-BLACK, an examination-critical, colloquial, and personal-of identity in terms of geography, experience, and blood quantum. A southern, gay, mixed-blood poet is thrust into the big-city literary life of the New York School artists in Greenwich Village, yet finds "home" in Uruguay with an Argentinean. CROW-BLUE, CROW-BLACK crosses traditional Native American narrative and incantatory styles with the quick-witted street poems of the New York School. It crosses the border into the southern hemisphere and bears witness to the influence of the Rio de la Plata, the grand capitols of Montevideo and Buenos Aires on its shores. From rural coastal roots to urban urgency and back to the rhythm of rivers and ocean, CROW-BLUE, CROW-BLACK maps the continents of the Americas.
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Autorenporträt
Chip Livingston is a queer/two-spirit, mixed-blood Creek writer and the author of two previous collections of poetry, Crow-Blue, Crow-Black and Museum of False Starts, as well as a chapbook of poems, a novel, and a short story/essay collection. He is the editor of Love, Loosha: The Letters of Lucia Berlin and Kenward Elmslie. Chip teaches in the low-rez MFA program at the Institute of American Indian Arts in Santa Fe, New Mexico. He lives in Montevideo, Uruguay.