Uses narratives of artists and ordinary Cubans to analyze governance and the politics of artistic production in contemporary Cuba, assessing why critical and vibrant public spaces have flourished under a one-party system.
Uses narratives of artists and ordinary Cubans to analyze governance and the politics of artistic production in contemporary Cuba, assessing why critical and vibrant public spaces have flourished under a one-party system.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
List of Illustrations ix Preface xi Acknowledgments xv Introduction: Artistic Public Spheres and the State 1 1. Remaking Conceptual Worlds: Changing Ideologies in Socialist Cuba 23 2. Old Utopias, New Realities: Film Publics, Critical Debates, and New Modes of Incorporation 42 3. Fear of a Black Nation: Local Rappers, Transnational Crossings, and State Power 85 4. Postwar Reconstructions: State Institutions, Public Art, and the New Market Conditions of Production 135 Conclusion 181 Notes 191 Bibliography 199 Index 213
List of Illustrations ix Preface xi Acknowledgments xv Introduction: Artistic Public Spheres and the State 1 1. Remaking Conceptual Worlds: Changing Ideologies in Socialist Cuba 23 2. Old Utopias, New Realities: Film Publics, Critical Debates, and New Modes of Incorporation 42 3. Fear of a Black Nation: Local Rappers, Transnational Crossings, and State Power 85 4. Postwar Reconstructions: State Institutions, Public Art, and the New Market Conditions of Production 135 Conclusion 181 Notes 191 Bibliography 199 Index 213
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