Cuban Music Counterpoints - Quevedo, Marysol
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Cuban Music Counterpoints traces the continuities and ruptures in the Cuban classical music scene between 1940 and 1991. The book focuses on specific events, objects, and compositions that reveal how composers forged connections with local and foreign composers, visual artists, writers, dancers, and film makers by placing them within emergent global, social, political, and cultural contexts.

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Produktbeschreibung
Cuban Music Counterpoints traces the continuities and ruptures in the Cuban classical music scene between 1940 and 1991. The book focuses on specific events, objects, and compositions that reveal how composers forged connections with local and foreign composers, visual artists, writers, dancers, and film makers by placing them within emergent global, social, political, and cultural contexts.
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Autorenporträt
Marysol Quevedo is Assistant Professor of Musicology at the University of Miami. Her research interests include 20th-century art music in Cuba, cultural diplomacy during the Cold War, art music networks throughout the 20th century, and music in film and visual media. She has published chapters in Experimentalisms in Practice and Experiencing Music and Visual Cultures and articles in the journals Cuban Studies and Boletín Música.