"This book is a part of the Latin American and Caribbean Arts and Culture publication initiative, funded by a grant from the Andrew W. Mellon Foundation."
"This book is a part of the Latin American and Caribbean Arts and Culture publication initiative, funded by a grant from the Andrew W. Mellon Foundation."Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
Produktdetails
Latin American and Caribbean Arts and Culture Publication Initiative, Mellon Foundation
Tanya L. Saunders is an assistant professor in the Department of African American and African Studies at the Ohio State University.
Inhaltsangabe
* Acknowledgments * 1. Introduction * 2. Historicizing Race, Cultural Politics, and Critical Music Cultures in Cuba * 3. La Revolución dentro de la Revolución/The Revolution within the Revolution: Hip Hop, Cuba, and Afro-Descendant Challenges to Coloniality * 4. Whiteness, Mulat@ness, Blackness: Racial Identities and Politics within the Cuban Underground Hip Hop Movement * 5. “Never Has Anyone Spoken to You Like This”: Examining the Lexicon of Cuban Underground Hip Hop Artivist Discourses * 6. “I’m a Feminist, But I Don’t Hate Men”: Emergent Black Feminist Discourses and Identity Politics within the Cuban Underground Hip Hop Movement * 7. Kruda Knowledge, Kruda Discourse: Las Krudas CUBENSI, Transnational Black Feminism, and the Queer of Color Critique * 8. Conclusion * Bibliography * Notes * Index
* Acknowledgments * 1. Introduction * 2. Historicizing Race, Cultural Politics, and Critical Music Cultures in Cuba * 3. La Revolución dentro de la Revolución/The Revolution within the Revolution: Hip Hop, Cuba, and Afro-Descendant Challenges to Coloniality * 4. Whiteness, Mulat@ness, Blackness: Racial Identities and Politics within the Cuban Underground Hip Hop Movement * 5. “Never Has Anyone Spoken to You Like This”: Examining the Lexicon of Cuban Underground Hip Hop Artivist Discourses * 6. “I’m a Feminist, But I Don’t Hate Men”: Emergent Black Feminist Discourses and Identity Politics within the Cuban Underground Hip Hop Movement * 7. Kruda Knowledge, Kruda Discourse: Las Krudas CUBENSI, Transnational Black Feminism, and the Queer of Color Critique * 8. Conclusion * Bibliography * Notes * Index
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