Cubism and Futurism - Elder, R Bruce
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At its inception, the cinema was understood by many to be an electric art, akin to X-rays, coloured light, and sostnic energy. This book examines the two movements' engagement with the Faraday and Maxwell's new science of energy, and shows energy came to be understood as a spiritual phenomenon and the cinema as a pneumatic machine.

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Produktbeschreibung
At its inception, the cinema was understood by many to be an electric art, akin to X-rays, coloured light, and sostnic energy. This book examines the two movements' engagement with the Faraday and Maxwell's new science of energy, and shows energy came to be understood as a spiritual phenomenon and the cinema as a pneumatic machine.
Autorenporträt
R. Bruce Elder is an award-winning filmmaker and teaches media at Ryerson University. His book Harmony & Dissent (WLU Press, 2008) received the prestigious Robert Motherwell Book Prize and was named a Choice Outstanding Academic Book. Rudolf Kuenzli described DADA, Surrealism, and the Cinematic Effect (WLU Press, 2013) as "that rare book that casts the early twentieth-century avant-garde in a very new light."