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"A rollicking, deeply reported story about how the early reality TV business metastasized into an industry that now dominates entertainment in the United States. Starting in 1948, Nussbaum pulls back the curtain on the cultural meat grinder that created a generation-defining form of entertainment, examining shows from The Real World to Survivor to The Apprentice. Through extensive interviews, Nussbaum follows the reality TV industry from its inception with shows like Candid Camera to its '90s heyday and '00s aftermath. The book dives into some of the industry's most remarkable stories--for…mehr

Produktbeschreibung
"A rollicking, deeply reported story about how the early reality TV business metastasized into an industry that now dominates entertainment in the United States. Starting in 1948, Nussbaum pulls back the curtain on the cultural meat grinder that created a generation-defining form of entertainment, examining shows from The Real World to Survivor to The Apprentice. Through extensive interviews, Nussbaum follows the reality TV industry from its inception with shows like Candid Camera to its '90s heyday and '00s aftermath. The book dives into some of the industry's most remarkable stories--for instance, the one where a serial killer on the run once appeared on The Dating Game"--
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Autorenporträt
Emily Nussbaum is a staff writer at The New Yorker, where she’s worked since 2011, originally as the magazine’s television critic. In 2016, she won the Pulitzer Prize for criticism. Previously, she was the culture editor for New York, where she created the Approval Matrix.  She is the author of I Like to Watch: Arguing My Way Through the TV Revolution, which was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay. She lives in Brooklyn with her husband, Clive Thompson, and their two children.