Cult Exchange Early Mod Europe v4
Herausgeber: Monter, William; Roodenburg, Herman; Muchembled, Robert
Cult Exchange Early Mod Europe v4
Herausgeber: Monter, William; Roodenburg, Herman; Muchembled, Robert
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This 2007 volume reveals how a first European identity was forged from the fifteenth to the seventeenth centuries.
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This 2007 volume reveals how a first European identity was forged from the fifteenth to the seventeenth centuries.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 466
- Erscheinungstermin: 1. Juni 2018
- Englisch
- Abmessung: 235mm x 157mm x 32mm
- Gewicht: 902g
- ISBN-13: 9780521845496
- ISBN-10: 0521845491
- Artikelnr.: 29338986
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
- Verlag: Cambridge University Press
- Seitenzahl: 466
- Erscheinungstermin: 1. Juni 2018
- Englisch
- Abmessung: 235mm x 157mm x 32mm
- Gewicht: 902g
- ISBN-13: 9780521845496
- ISBN-10: 0521845491
- Artikelnr.: 29338986
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
Preface; Cultural exchange and cultural transfer in early modern Europe: a
theoretical perspective and examples Bernd Roeck; 1. The Baltic ceramic
market 1200-1600: measuring Hanseatic cultural transfer and resistance
David Gaimster; 2. Between Italy and Moscow: cultural crossroads and the
culture of exchange Evelyn Welch; 3. Netherlandish painting and early
Renaissance Italy: artistic rapports in a historiographical perspective
Bernard Aikema; 4. Cultural transfer between Venice and the Ottomans in the
fifteenth and sixteenth centuries Deborah Howard; 5. Wandering objects,
migrating artists: the appropriation of Italian Renaissance art by German
courts in the sixteenth century Barbara Marx; 6. The dressed body: the
moulding of identities in sixteenth-century France Isabelle Paresys; 7.
Clothing and cultural exchange in Renaissance Germany Ulinka Rublack; 8.
Gesture and comportment: diversity and uniformity Dilwyn Knox; 9. The
exchange of dance cultures in Renaissance Europe: Italy, France and abroad
Marina Nordera; 10. Dancing in the Dutch Republic: the uses of bodily
memory Herman Roodenburg; 11. Imaginations of overseas cultures in Western
European pageants, sixteenth to seventeenth centuries Johan Verberckmoes;
Bibliography.
theoretical perspective and examples Bernd Roeck; 1. The Baltic ceramic
market 1200-1600: measuring Hanseatic cultural transfer and resistance
David Gaimster; 2. Between Italy and Moscow: cultural crossroads and the
culture of exchange Evelyn Welch; 3. Netherlandish painting and early
Renaissance Italy: artistic rapports in a historiographical perspective
Bernard Aikema; 4. Cultural transfer between Venice and the Ottomans in the
fifteenth and sixteenth centuries Deborah Howard; 5. Wandering objects,
migrating artists: the appropriation of Italian Renaissance art by German
courts in the sixteenth century Barbara Marx; 6. The dressed body: the
moulding of identities in sixteenth-century France Isabelle Paresys; 7.
Clothing and cultural exchange in Renaissance Germany Ulinka Rublack; 8.
Gesture and comportment: diversity and uniformity Dilwyn Knox; 9. The
exchange of dance cultures in Renaissance Europe: Italy, France and abroad
Marina Nordera; 10. Dancing in the Dutch Republic: the uses of bodily
memory Herman Roodenburg; 11. Imaginations of overseas cultures in Western
European pageants, sixteenth to seventeenth centuries Johan Verberckmoes;
Bibliography.
Preface; Cultural exchange and cultural transfer in early modern Europe: a
theoretical perspective and examples Bernd Roeck; 1. The Baltic ceramic
market 1200-1600: measuring Hanseatic cultural transfer and resistance
David Gaimster; 2. Between Italy and Moscow: cultural crossroads and the
culture of exchange Evelyn Welch; 3. Netherlandish painting and early
Renaissance Italy: artistic rapports in a historiographical perspective
Bernard Aikema; 4. Cultural transfer between Venice and the Ottomans in the
fifteenth and sixteenth centuries Deborah Howard; 5. Wandering objects,
migrating artists: the appropriation of Italian Renaissance art by German
courts in the sixteenth century Barbara Marx; 6. The dressed body: the
moulding of identities in sixteenth-century France Isabelle Paresys; 7.
Clothing and cultural exchange in Renaissance Germany Ulinka Rublack; 8.
Gesture and comportment: diversity and uniformity Dilwyn Knox; 9. The
exchange of dance cultures in Renaissance Europe: Italy, France and abroad
Marina Nordera; 10. Dancing in the Dutch Republic: the uses of bodily
memory Herman Roodenburg; 11. Imaginations of overseas cultures in Western
European pageants, sixteenth to seventeenth centuries Johan Verberckmoes;
Bibliography.
theoretical perspective and examples Bernd Roeck; 1. The Baltic ceramic
market 1200-1600: measuring Hanseatic cultural transfer and resistance
David Gaimster; 2. Between Italy and Moscow: cultural crossroads and the
culture of exchange Evelyn Welch; 3. Netherlandish painting and early
Renaissance Italy: artistic rapports in a historiographical perspective
Bernard Aikema; 4. Cultural transfer between Venice and the Ottomans in the
fifteenth and sixteenth centuries Deborah Howard; 5. Wandering objects,
migrating artists: the appropriation of Italian Renaissance art by German
courts in the sixteenth century Barbara Marx; 6. The dressed body: the
moulding of identities in sixteenth-century France Isabelle Paresys; 7.
Clothing and cultural exchange in Renaissance Germany Ulinka Rublack; 8.
Gesture and comportment: diversity and uniformity Dilwyn Knox; 9. The
exchange of dance cultures in Renaissance Europe: Italy, France and abroad
Marina Nordera; 10. Dancing in the Dutch Republic: the uses of bodily
memory Herman Roodenburg; 11. Imaginations of overseas cultures in Western
European pageants, sixteenth to seventeenth centuries Johan Verberckmoes;
Bibliography.