Using paratextual theory to address the accusations of gimmickry often directed towards extreme art films, Cultivating Extreme Art Cinema focuses upon the DVD and Blu-ray object, analysing how sleeve designs, blurbs, and special features shape the identity of the film.
Using paratextual theory to address the accusations of gimmickry often directed towards extreme art films, Cultivating Extreme Art Cinema focuses upon the DVD and Blu-ray object, analysing how sleeve designs, blurbs, and special features shape the identity of the film.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Simon Hobbs is a Lecturer in Visual Culture at the University of Portsmouth. He has published in the areas of extreme art film, exploitation film and paratextual studies. His work has appeared in Transnational Cinemas and Cine-excess, as well as various edited collections.
Inhaltsangabe
Acknowledgments Dedication Introduction Chapter 1 - A Historical Context of Art and Exploitation Film Marketing: Crossover, Slippage and Fluidity. Chapter 2 - Early Extremity on DVD: History, Precursors, and Exploitation Auteurs. Chapter 3 - Weekend and Cannibal Holocaust: Art, Ballyhoo, and Remediation. Chapter 4 - Salò, Or the 120 Days of Sodom and Ilsa the Wicked Warden: Fascism, Pornography, and Disgust. Chapter 5 - Contemporary Extremity on DVD: Trends, Hard-core, and Geographic Mobility. Chapter 6 - Michael Haneke: Glaciation, Legitimacy, and Transgression. Chapter 7 - Lars von Trier: Provocation, Condemnation, and Confrontation Conclusion Bibliography
Acknowledgments Dedication Introduction Chapter 1 - A Historical Context of Art and Exploitation Film Marketing: Crossover, Slippage and Fluidity. Chapter 2 - Early Extremity on DVD: History, Precursors, and Exploitation Auteurs. Chapter 3 - Weekend and Cannibal Holocaust: Art, Ballyhoo, and Remediation. Chapter 4 - Salò, Or the 120 Days of Sodom and Ilsa the Wicked Warden: Fascism, Pornography, and Disgust. Chapter 5 - Contemporary Extremity on DVD: Trends, Hard-core, and Geographic Mobility. Chapter 6 - Michael Haneke: Glaciation, Legitimacy, and Transgression. Chapter 7 - Lars von Trier: Provocation, Condemnation, and Confrontation Conclusion Bibliography
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