Presents a range of historical case studies on the sounding worlds of the European past. The chapters in this volume explore ways of thinking about sound historically, and seek to understand how people have understood and negotiated their relationships with the sounding world in Europe from the Middle Ages through to the early twentieth century.
Presents a range of historical case studies on the sounding worlds of the European past. The chapters in this volume explore ways of thinking about sound historically, and seek to understand how people have understood and negotiated their relationships with the sounding world in Europe from the Middle Ages through to the early twentieth century.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
General Introduction Ian Biddle and Kirsten Gibson Part 1: Historicizing Aurality Introduction Ian Biddle and Kirsten Gibson 1.'Sowndys and melodiis': Perceptions of Sound and Music in Late Medieval England Lisa Colton 2. The Physiologist at the Opera - Claude Perrault's Du bruit (1680) and the Politics of Pleasure in the Ancien Régime Veit Erlmann 3. Georges Kastner's Les Voix de Paris (1857): A Study in Musical Flânerie Emily Laurance 4. Refashioning Rhythm: Hearing, Acting and Reacting to Metronomic Sound in Experimental Psychology and Beyond, c.1875-1920 Alexander Bonus Part 2: Sound Politics Introduction Ian Biddle and Kirsten Gibson 5. Orphée at the Forains: Silencing and Silences in Old Regime France Hedy Law 6. Sound as Promise and Threat: Drumming, Collective Violence and Colonial Law in British Ceylon Jim Sykes 7. Cannons, Church Bells and Colonial Policies: The Soundscape in Habsburg Bosnia-Herzegovina Risto Pekka Pennanen Part 3: Urban Soundscapes of Europe Introduction Ian Biddle and Kirsten Gibson 8. City Life and Music for Secular Entertainment in the Empire of Maximilian I Helen Coffey 9. Sonic Afterworld: Mapping the Soundscape of Heaven and Hell in Early Modern Cities Daniele V. Filippi 10. The Sounds of the City, 1598: Everard Guilpin's London in Skialetheia Adam Hansen 11. The Soundscape of the City in the Nineteenth Century Olivier Balaÿ 12. Porosity and Modernity: Lisbon's Soundscape from 1864-1908 Joao Silva. Bibliography Index
General Introduction Ian Biddle and Kirsten Gibson Part 1: Historicizing Aurality Introduction Ian Biddle and Kirsten Gibson 1.'Sowndys and melodiis': Perceptions of Sound and Music in Late Medieval England Lisa Colton 2. The Physiologist at the Opera - Claude Perrault's Du bruit (1680) and the Politics of Pleasure in the Ancien Régime Veit Erlmann 3. Georges Kastner's Les Voix de Paris (1857): A Study in Musical Flânerie Emily Laurance 4. Refashioning Rhythm: Hearing, Acting and Reacting to Metronomic Sound in Experimental Psychology and Beyond, c.1875-1920 Alexander Bonus Part 2: Sound Politics Introduction Ian Biddle and Kirsten Gibson 5. Orphée at the Forains: Silencing and Silences in Old Regime France Hedy Law 6. Sound as Promise and Threat: Drumming, Collective Violence and Colonial Law in British Ceylon Jim Sykes 7. Cannons, Church Bells and Colonial Policies: The Soundscape in Habsburg Bosnia-Herzegovina Risto Pekka Pennanen Part 3: Urban Soundscapes of Europe Introduction Ian Biddle and Kirsten Gibson 8. City Life and Music for Secular Entertainment in the Empire of Maximilian I Helen Coffey 9. Sonic Afterworld: Mapping the Soundscape of Heaven and Hell in Early Modern Cities Daniele V. Filippi 10. The Sounds of the City, 1598: Everard Guilpin's London in Skialetheia Adam Hansen 11. The Soundscape of the City in the Nineteenth Century Olivier Balaÿ 12. Porosity and Modernity: Lisbon's Soundscape from 1864-1908 Joao Silva. Bibliography Index
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