Cultural History in France
Local Debates, Global Perspectives
Herausgeber: Cohen, Evelyne; Goetschel, Pascale; Fléchet, Anaïs
Cultural History in France
Local Debates, Global Perspectives
Herausgeber: Cohen, Evelyne; Goetschel, Pascale; Fléchet, Anaïs
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This book questions the subjects and boundaries of cultural history in France - with regard to neighboring approaches such as cultural, media and gender studies - to elaborate a "social history of representations" and depict the major questions underlying the historical debate in the 21st century.
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This book questions the subjects and boundaries of cultural history in France - with regard to neighboring approaches such as cultural, media and gender studies - to elaborate a "social history of representations" and depict the major questions underlying the historical debate in the 21st century.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 344
- Erscheinungstermin: 30. Juni 2021
- Englisch
- Abmessung: 229mm x 152mm x 18mm
- Gewicht: 463g
- ISBN-13: 9781032091846
- ISBN-10: 1032091843
- Artikelnr.: 62151446
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 344
- Erscheinungstermin: 30. Juni 2021
- Englisch
- Abmessung: 229mm x 152mm x 18mm
- Gewicht: 463g
- ISBN-13: 9781032091846
- ISBN-10: 1032091843
- Artikelnr.: 62151446
Evelyne Cohen is Professor Emeritus of Contemporary Cultural History at École nationale supérieure des sciences de l'information et des bibliothèques (ENSSIB-Lyon University). Anaïs Fléchet is Associate Professor of History at Université de Versailles Saint-Quentin-en-Yvelines. Pascale Goetschel is Professor of Social and Political History of Culture at the University of Paris 1 Panthéon-Sorbonne. Laurent Martin is Professor of Contemporary History at the University of Paris 3 Sorbonne-Nouvelle. Pascal Ory is Professor Emeritus of History at Paris 1 Panthéon-Sorbonne University.
Part I: Definitions and Frontiers 1. Introduction to Part I 2. Cultural
History: A Domain, a Perspective, and an Interface 3. What Is Mediology? 4.
Literary History/Cultural History: Material for a Dialogue 5. The Cultural
Dimension of Social History 6. The History of Knowledge: Social or Cultural
History? 7. Borders (and Their Porosity) Between Cultural History and Media
History 8. Myths and Truths of French Legal Culture, 19th-20th Centuries 9.
Debate on the Sociology of Culture Part II: Subjects 10. Introduction to
Part II 11. Inner Senses and Their Old Markers 12. Towards a History of
Colors: Possibilities and Limits 13. For a History of the Sensitivity to
the Weather 14. From the Reading of 18th-Century Police Archives to the
Construction of Objects of Historical Study 15. History: The Masculine
Hypothesis 16. A Romantic House: George Sand's Nohant 17. Television and
Mass Culture 18. Cultural History and Music 19. A Contribution to a
Historical Approach to the Audiovisual Landscapes of Radio and Television
20. "Popular Culture", "Mass Culture": A Definition or a Prerequisite?
Part III: Memory and History 21. Introduction to Part III 22. Italian Sites
of Memory 23. Historiographical Conflicts and Memory-Based Heritage: On the
Luoghi della memoria and L'Italie par elle-même, Edited by Mario Isnenghi
24. Sites of Memory, Erinnerungsorte 25. "A Cry of Horror from the Abyss":
Passers-On of the Indescribable: Lemkin, Fry, Karski, 1941-1944 26. Israeli
National Memory: Formation, Variations, and Objections Part IV:
Perspectives and Transfers 27. Introduction to Part IV 28: Can We Write a
European History of Culture in the Contemporary Period? 29. Disciplinary
Smuggling 30. The Paris-London Line of Cultural Studies: A One-Way Track?
31. British Perspectives on French Cultural History 32. Is There History
Under Colonial Culture? 33. Colonial History Today: A Cultural History? 34.
Appraisal and Ideas for a Global Cultural History 35. Some Remarks on the
Teaching of Cultural History in Eastern European Universities 36. Cultural
History Facing the "Transnational Turn" 37. General Conclusion
History: A Domain, a Perspective, and an Interface 3. What Is Mediology? 4.
Literary History/Cultural History: Material for a Dialogue 5. The Cultural
Dimension of Social History 6. The History of Knowledge: Social or Cultural
History? 7. Borders (and Their Porosity) Between Cultural History and Media
History 8. Myths and Truths of French Legal Culture, 19th-20th Centuries 9.
Debate on the Sociology of Culture Part II: Subjects 10. Introduction to
Part II 11. Inner Senses and Their Old Markers 12. Towards a History of
Colors: Possibilities and Limits 13. For a History of the Sensitivity to
the Weather 14. From the Reading of 18th-Century Police Archives to the
Construction of Objects of Historical Study 15. History: The Masculine
Hypothesis 16. A Romantic House: George Sand's Nohant 17. Television and
Mass Culture 18. Cultural History and Music 19. A Contribution to a
Historical Approach to the Audiovisual Landscapes of Radio and Television
20. "Popular Culture", "Mass Culture": A Definition or a Prerequisite?
Part III: Memory and History 21. Introduction to Part III 22. Italian Sites
of Memory 23. Historiographical Conflicts and Memory-Based Heritage: On the
Luoghi della memoria and L'Italie par elle-même, Edited by Mario Isnenghi
24. Sites of Memory, Erinnerungsorte 25. "A Cry of Horror from the Abyss":
Passers-On of the Indescribable: Lemkin, Fry, Karski, 1941-1944 26. Israeli
National Memory: Formation, Variations, and Objections Part IV:
Perspectives and Transfers 27. Introduction to Part IV 28: Can We Write a
European History of Culture in the Contemporary Period? 29. Disciplinary
Smuggling 30. The Paris-London Line of Cultural Studies: A One-Way Track?
31. British Perspectives on French Cultural History 32. Is There History
Under Colonial Culture? 33. Colonial History Today: A Cultural History? 34.
Appraisal and Ideas for a Global Cultural History 35. Some Remarks on the
Teaching of Cultural History in Eastern European Universities 36. Cultural
History Facing the "Transnational Turn" 37. General Conclusion
Part I: Definitions and Frontiers 1. Introduction to Part I 2. Cultural
History: A Domain, a Perspective, and an Interface 3. What Is Mediology? 4.
Literary History/Cultural History: Material for a Dialogue 5. The Cultural
Dimension of Social History 6. The History of Knowledge: Social or Cultural
History? 7. Borders (and Their Porosity) Between Cultural History and Media
History 8. Myths and Truths of French Legal Culture, 19th-20th Centuries 9.
Debate on the Sociology of Culture Part II: Subjects 10. Introduction to
Part II 11. Inner Senses and Their Old Markers 12. Towards a History of
Colors: Possibilities and Limits 13. For a History of the Sensitivity to
the Weather 14. From the Reading of 18th-Century Police Archives to the
Construction of Objects of Historical Study 15. History: The Masculine
Hypothesis 16. A Romantic House: George Sand's Nohant 17. Television and
Mass Culture 18. Cultural History and Music 19. A Contribution to a
Historical Approach to the Audiovisual Landscapes of Radio and Television
20. "Popular Culture", "Mass Culture": A Definition or a Prerequisite?
Part III: Memory and History 21. Introduction to Part III 22. Italian Sites
of Memory 23. Historiographical Conflicts and Memory-Based Heritage: On the
Luoghi della memoria and L'Italie par elle-même, Edited by Mario Isnenghi
24. Sites of Memory, Erinnerungsorte 25. "A Cry of Horror from the Abyss":
Passers-On of the Indescribable: Lemkin, Fry, Karski, 1941-1944 26. Israeli
National Memory: Formation, Variations, and Objections Part IV:
Perspectives and Transfers 27. Introduction to Part IV 28: Can We Write a
European History of Culture in the Contemporary Period? 29. Disciplinary
Smuggling 30. The Paris-London Line of Cultural Studies: A One-Way Track?
31. British Perspectives on French Cultural History 32. Is There History
Under Colonial Culture? 33. Colonial History Today: A Cultural History? 34.
Appraisal and Ideas for a Global Cultural History 35. Some Remarks on the
Teaching of Cultural History in Eastern European Universities 36. Cultural
History Facing the "Transnational Turn" 37. General Conclusion
History: A Domain, a Perspective, and an Interface 3. What Is Mediology? 4.
Literary History/Cultural History: Material for a Dialogue 5. The Cultural
Dimension of Social History 6. The History of Knowledge: Social or Cultural
History? 7. Borders (and Their Porosity) Between Cultural History and Media
History 8. Myths and Truths of French Legal Culture, 19th-20th Centuries 9.
Debate on the Sociology of Culture Part II: Subjects 10. Introduction to
Part II 11. Inner Senses and Their Old Markers 12. Towards a History of
Colors: Possibilities and Limits 13. For a History of the Sensitivity to
the Weather 14. From the Reading of 18th-Century Police Archives to the
Construction of Objects of Historical Study 15. History: The Masculine
Hypothesis 16. A Romantic House: George Sand's Nohant 17. Television and
Mass Culture 18. Cultural History and Music 19. A Contribution to a
Historical Approach to the Audiovisual Landscapes of Radio and Television
20. "Popular Culture", "Mass Culture": A Definition or a Prerequisite?
Part III: Memory and History 21. Introduction to Part III 22. Italian Sites
of Memory 23. Historiographical Conflicts and Memory-Based Heritage: On the
Luoghi della memoria and L'Italie par elle-même, Edited by Mario Isnenghi
24. Sites of Memory, Erinnerungsorte 25. "A Cry of Horror from the Abyss":
Passers-On of the Indescribable: Lemkin, Fry, Karski, 1941-1944 26. Israeli
National Memory: Formation, Variations, and Objections Part IV:
Perspectives and Transfers 27. Introduction to Part IV 28: Can We Write a
European History of Culture in the Contemporary Period? 29. Disciplinary
Smuggling 30. The Paris-London Line of Cultural Studies: A One-Way Track?
31. British Perspectives on French Cultural History 32. Is There History
Under Colonial Culture? 33. Colonial History Today: A Cultural History? 34.
Appraisal and Ideas for a Global Cultural History 35. Some Remarks on the
Teaching of Cultural History in Eastern European Universities 36. Cultural
History Facing the "Transnational Turn" 37. General Conclusion