This book explores how the state instrumentalises cultural industries through an in-depth study of the South Korean government's cultural industry policies. It will interest scholars and students in the areas of media and cultural policy, media and cultural industries, global media, and Asian studies.
This book explores how the state instrumentalises cultural industries through an in-depth study of the South Korean government's cultural industry policies. It will interest scholars and students in the areas of media and cultural policy, media and cultural industries, global media, and Asian studies.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Taeyoung Kim is a Lecturer in Communication and Media at Loughborough University, UK.
Inhaltsangabe
1. Introduction 2. Neoliberal Globalisation, the State and Cultural Industries 3. The Korean Developmental State and the Development of Cultural Industries 4. The State's Prevailing Presence in the Development of Korean Cultural Industries 5. Cultural Politics of State-led Development of Cultural Industries: A Widespread Desire for the Globalisation of Korean Cultural Products 6. K-culture Without "K-"? The Paradoxical Nature of Producing Korean Television Towards a Sustainable Korean Wave 7. Conclusion: The Korean State as the Architect and Patron of Cultural Industries Index
1. Introduction 2. Neoliberal Globalisation, the State and Cultural Industries 3. The Korean Developmental State and the Development of Cultural Industries 4. The State's Prevailing Presence in the Development of Korean Cultural Industries 5. Cultural Politics of State-led Development of Cultural Industries: A Widespread Desire for the Globalisation of Korean Cultural Products 6. K-culture Without "K-"? The Paradoxical Nature of Producing Korean Television Towards a Sustainable Korean Wave 7. Conclusion: The Korean State as the Architect and Patron of Cultural Industries Index
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