Recording studios are the most insulated, intimate and privileged sites of music production and creativity. Yet in a world of intensified globalisation, they are also sites which are highly connected into wider networks of music production that are increasingly spanning the globe. This is the first comprehensive account of contemporary cultural production in the recording studio. This unique text develops new social-geographical perspectives on the spatialities and overlapping geographical scales of creative work, including chapters on technology, emotional labour, networking, and contemporary economic challenges to recording studios.…mehr
Recording studios are the most insulated, intimate and privileged sites of music production and creativity. Yet in a world of intensified globalisation, they are also sites which are highly connected into wider networks of music production that are increasingly spanning the globe. This is the first comprehensive account of contemporary cultural production in the recording studio. This unique text develops new social-geographical perspectives on the spatialities and overlapping geographical scales of creative work, including chapters on technology, emotional labour, networking, and contemporary economic challenges to recording studios.
Allan Watson is Senior Lecturer in Human Geography at Staffordshire University.
Inhaltsangabe
Introduction Part One: Inside the Studio 1. Studio Technologies: Changing Concepts and Practices 2. Technology, Collaboration and Creativity 3. Emotional Labour and Musical Performance 4. The Studio Sound-Space Part Two: Beyond the Studio 5. Recording Studios in Urban Music Scenes 6. Recording Studios in Project Networks (1): The Networked Studio 7. Studios in Project Networks (2): A Global Urban Geography of Music Production 8. MP3s and Home Recording: The Problems of Software Part Three: Working and Networking in the Recording Studio Sector 9. Changing Employment Relations and Experiences of Work 10. Networking, Reputation Building and Getting Work. Conclusion.
Introduction Part One: Inside the Studio 1. Studio Technologies: Changing Concepts and Practices 2. Technology, Collaboration and Creativity 3. Emotional Labour and Musical Performance 4. The Studio Sound-Space Part Two: Beyond the Studio 5. Recording Studios in Urban Music Scenes 6. Recording Studios in Project Networks (1): The Networked Studio 7. Studios in Project Networks (2): A Global Urban Geography of Music Production 8. MP3s and Home Recording: The Problems of Software Part Three: Working and Networking in the Recording Studio Sector 9. Changing Employment Relations and Experiences of Work 10. Networking, Reputation Building and Getting Work. Conclusion.
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