Recording studios are the most insulated, intimate and privileged sites of music production and creativity. Yet in a world of intensified globalisation, they are also sites which are highly connected into wider networks of music production that are increasingly spanning the globe. This book is the first comprehensive account of the new spatialities of cultural production in the recording studio sector of the musical economy, spatialities that illuminate the complexities of global cultural production. It will appeal to academic students and researchers working in human geography, cultural…mehr
Recording studios are the most insulated, intimate and privileged sites of music production and creativity. Yet in a world of intensified globalisation, they are also sites which are highly connected into wider networks of music production that are increasingly spanning the globe. This book is the first comprehensive account of the new spatialities of cultural production in the recording studio sector of the musical economy, spatialities that illuminate the complexities of global cultural production. It will appeal to academic students and researchers working in human geography, cultural studies, media and communication studies, sociology, as well as those studying music production courses.
Allan Watson is Senior Lecturer in Human Geography at Staffordshire University.
Inhaltsangabe
Introduction PART I Inside the Studio 1. Studio Technologies: Changing Concepts and Practices 2. Technology, Collaboration and Creativity 3. Emotional Labour and Musical Performance 4. The Studio Sound-Space PART II Beyond the Studio 5. Recording Studios in Urban Music Scenes 6. Recording Studios in Project Networks (1): The Networked Studio 7. Recording Studios in Project Networks (2): A Global Urban Geography of Music Production 8. MP3s and Home Recording: The Problems of Software PART III Working and Networking in the Recording Studio Sector 9. Changing Employment Relations and Experiences of Work 10. Networking, Reputation Building and Getting Work Conclusion
Introduction PART I Inside the Studio 1. Studio Technologies: Changing Concepts and Practices 2. Technology, Collaboration and Creativity 3. Emotional Labour and Musical Performance 4. The Studio Sound-Space PART II Beyond the Studio 5. Recording Studios in Urban Music Scenes 6. Recording Studios in Project Networks (1): The Networked Studio 7. Recording Studios in Project Networks (2): A Global Urban Geography of Music Production 8. MP3s and Home Recording: The Problems of Software PART III Working and Networking in the Recording Studio Sector 9. Changing Employment Relations and Experiences of Work 10. Networking, Reputation Building and Getting Work Conclusion
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