Cultural Technologies: Robots and Artificial Intelligence in the Performing Arts presents a diverse range of perspectives from leading scholars and artists on contemporary performing arts practices that engage with robotic and AI (artificial intelligence) technologies.
Cultural Technologies: Robots and Artificial Intelligence in the Performing Arts presents a diverse range of perspectives from leading scholars and artists on contemporary performing arts practices that engage with robotic and AI (artificial intelligence) technologies.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Dr. Yuji Sone is a senior lecturer in the Department of Media, Communications, Creative Arts, Language and Literature at Macquarie University, Australia. His research has focused on the cross-disciplinary conditions of technologized performance. Dr. Richard Savery is a developer of artificial intelligence and robotics, using music and creativity as a medium to program better interactions, understandings and models. He is currently a Research Fellow at Macquarie University, Australia, developing new robotic musicians. His current research focuses on the creation of a new drumming and rapping robot, as well as robots painting to music and musical captcha.
Inhaltsangabe
Part One: Robot/AI Cultures and Performing Arts Practices 1. Introduction: New conversations across the performing arts Yuji Sone 2. I am Going to Turn into Peter: Glitching Human-Robot interactions Yaron Shyldkrot 3. medusai: A Multimodal Large Scale Robotic Musician Amit Rogel, Jiahe Qian, Ripken Walker, Nicollete Cash, Emily Liu. Hope Phan, Hannah Schlisky, Tristan Al-Haddad, and Gil Weinberg 4. Roboethics and Care in 2032 SMART-FAMILY Marina Hanganu 5. Choreographing the Future: AI, Dance, and Cultural Transformation Tanvi Raghuram, Kohinoor M. Darda, and Emily S. Cross 6. Keiichiro Shibuya's android opera: The theatrics of exoticism Yuji Sone Part Two: Performing Arts Cultures and Robots/AI Developments 7. Chikamatsu, Mori, and the uncanny valley Karl F. MacDorman 8. Towards Embodied AI: Design Approaches for Robots in Opera Elizabeth Jochum, Tim Hopkins, Chris Kiefer, and Evelyn Ficarra 9. What Does it Mean? On Platform-Invariant "Body-Language" Dictionaries Amy LaViers 10.Questions of Voice in AI music. Denis Crowdy and James Leach 11. What Do I Say? Public Interactions with a Drumming and Rapping Robot Richard Savery, Trinity Melder, and Melissa Hill 12. A.I. Anne: Advocacy, Empathy and Creative Collaborations between Artists and Generative A.I. Janet Biggs Contributors Index
Part One: Robot/AI Cultures and Performing Arts Practices 1. Introduction: New conversations across the performing arts Yuji Sone 2. I am Going to Turn into Peter: Glitching Human-Robot interactions Yaron Shyldkrot 3. medusai: A Multimodal Large Scale Robotic Musician Amit Rogel, Jiahe Qian, Ripken Walker, Nicollete Cash, Emily Liu. Hope Phan, Hannah Schlisky, Tristan Al-Haddad, and Gil Weinberg 4. Roboethics and Care in 2032 SMART-FAMILY Marina Hanganu 5. Choreographing the Future: AI, Dance, and Cultural Transformation Tanvi Raghuram, Kohinoor M. Darda, and Emily S. Cross 6. Keiichiro Shibuya's android opera: The theatrics of exoticism Yuji Sone Part Two: Performing Arts Cultures and Robots/AI Developments 7. Chikamatsu, Mori, and the uncanny valley Karl F. MacDorman 8. Towards Embodied AI: Design Approaches for Robots in Opera Elizabeth Jochum, Tim Hopkins, Chris Kiefer, and Evelyn Ficarra 9. What Does it Mean? On Platform-Invariant "Body-Language" Dictionaries Amy LaViers 10.Questions of Voice in AI music. Denis Crowdy and James Leach 11. What Do I Say? Public Interactions with a Drumming and Rapping Robot Richard Savery, Trinity Melder, and Melissa Hill 12. A.I. Anne: Advocacy, Empathy and Creative Collaborations between Artists and Generative A.I. Janet Biggs Contributors Index
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