Yuri Lotman was one of the most prominent and influential scholars of the twentieth century working in the Soviet Union. This approachable collection of translations provides a primer to his vast intellectual legacy with a choice of works that address contemporary concerns such as gender, memory, performance, world literature, and urban life.
Yuri Lotman was one of the most prominent and influential scholars of the twentieth century working in the Soviet Union. This approachable collection of translations provides a primer to his vast intellectual legacy with a choice of works that address contemporary concerns such as gender, memory, performance, world literature, and urban life.
Andreas Schönle is Professor of Russian at the University of Bristol and Fellow of the British Academy. He is the author of four monographs and three edited volumes. His most recent monograph is On the Periphery of Europe, 1762-1825: The Self-Invention of the Russian Elite (2018), co-authored with Andrei Zorin. Benjamin Paloff is Associate Professor of Slavic Languages and Literatures and of Comparative Literature at the University of Michigan. His books include Lost in the Shadow of the Word: Space, Time, and Freedom in Interwar Eastern Europe and the poetry collections And His Orchestra and The Politics, and he is the translator, most recently, of Dorota Mas¿owska's Honey, I Killed the Cats.
Inhaltsangabe
Table of Contents Introduction Translator s Note PART ONE: SEMIOTICS 1. From Universe of the Mind Autocommunication: I and Other as Addressees Semiotic Space The Idea of Boundary 2. From The Structure of the Artistic Text Noise and Artistic Information The Problem of Plot 3. From Culture and Explosion The Interrupted and the Uninterrupted Perspectives Instead of Conclusions 4. Memory in a Culturological Light 5. The Language of Theater PART TWO: CULTURAL HISTORY 6. The Role of Dual Models in the Dynamics of Russian Culture The Symbolism of Petersburg and the Problems of Semiotics of the City The Duel A Woman's World Notes
Table of Contents Introduction Translator s Note PART ONE: SEMIOTICS 1. From Universe of the Mind Autocommunication: I and Other as Addressees Semiotic Space The Idea of Boundary 2. From The Structure of the Artistic Text Noise and Artistic Information The Problem of Plot 3. From Culture and Explosion The Interrupted and the Uninterrupted Perspectives Instead of Conclusions 4. Memory in a Culturological Light 5. The Language of Theater PART TWO: CULTURAL HISTORY 6. The Role of Dual Models in the Dynamics of Russian Culture The Symbolism of Petersburg and the Problems of Semiotics of the City The Duel A Woman's World Notes
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