This book examines the evolution of cultural policy in Cuba since the 1959 revolution, the connection between cultural policy and political development, and the extent to which cultural actors are agents for change for the reproduction of dominant values and institutions.
This book examines the evolution of cultural policy in Cuba since the 1959 revolution, the connection between cultural policy and political development, and the extent to which cultural actors are agents for change for the reproduction of dominant values and institutions.
Yvon Grenier is professor of political science at St. Francis Xavier University.
Inhaltsangabe
Preface Acknowledgments List of Acronyms Chapter 1: Revolution and Cultural Will Chapter 2: Don't Cross This Line Chapter 3: Jesus Diaz, the Unintentional Deviationist Chapter 4: The Curator State Chapter 5: How to Write From Mantilla, Of the Small Heresies of Leonardo Padura Chapter 6: Faking Criticism Conclusion Bibliography
Preface Acknowledgments List of Acronyms Chapter 1: Revolution and Cultural Will Chapter 2: Don't Cross This Line Chapter 3: Jesus Diaz, the Unintentional Deviationist Chapter 4: The Curator State Chapter 5: How to Write From Mantilla, Of the Small Heresies of Leonardo Padura Chapter 6: Faking Criticism Conclusion Bibliography
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