Cultures of Participation
Arts, Digital Media and Cultural Institutions
Herausgeber: Eriksson, Birgit; Valtysson, Bjarki; Stage, Carsten
Cultures of Participation
Arts, Digital Media and Cultural Institutions
Herausgeber: Eriksson, Birgit; Valtysson, Bjarki; Stage, Carsten
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This book examines cultural participation from three different, but interrelated perspectives: participatory art and aesthetics; participatory digital media, and participatory cultural policies and institutions. The book will be of interest to academics in the areas of museum studies, media and communications, and cultural studies.
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This book examines cultural participation from three different, but interrelated perspectives: participatory art and aesthetics; participatory digital media, and participatory cultural policies and institutions. The book will be of interest to academics in the areas of museum studies, media and communications, and cultural studies.
Produktdetails
- Produktdetails
- Verlag: Jenny Stanford Publishing
- Seitenzahl: 252
- Erscheinungstermin: 30. September 2021
- Englisch
- Abmessung: 229mm x 152mm x 13mm
- Gewicht: 340g
- ISBN-13: 9781032177366
- ISBN-10: 1032177365
- Artikelnr.: 62572909
- Verlag: Jenny Stanford Publishing
- Seitenzahl: 252
- Erscheinungstermin: 30. September 2021
- Englisch
- Abmessung: 229mm x 152mm x 13mm
- Gewicht: 340g
- ISBN-13: 9781032177366
- ISBN-10: 1032177365
- Artikelnr.: 62572909
Birgit Eriksson is Professor of cultural theory and analysis at the School of Communication and Culture, Aarhus University, Denmark. Her current research focuses on participatory arts and culture; art and social communities; aesthetics and politics. She is the author or editor of eight books. Recent journal articles include "Forms and potential effects of citizen participation in European cultural centres" (co-au, 2018) and "Are we really there, and in contact? Staging firsthand witnesses of contemporary Danish warfare" (2017). Carsten Stage is Associate Professor in the School of Communication and Culture, Aarhus University, Denmark. His current research focuses on patient participation, affect and social media. Recent publications include the monographs The Language of Illness and Death on Social Media (Emerald, 2018, co-au), Networked Cancer (Palgrave, 2017) and Global Media, Biopolitics and Affect (Routledge, 2015, co-au) and the edited collection Affective Methodologies (Palgrave, 2015, co-ed). Bjarki Valtysson is associate professor at the Department of Arts and Cultural Studies, University of Copenhagen, Denmark. His current research is focused on cultural participation, digital cultural policy and algorithmic platform societies. He is the author or editor of several books and articles. Recent publications include Media and the Mundane: Communication Across Media in Everyday Life (Nordicom 2016, co-ed), Technologies of Labour and the Politics of Contradiction (Palgrave 2018, co-ed) and Digital Cultural Policy: From Politics to Practice (Palgrave, 2020).
Chapter One: Introduction: Cultures of participation Part I: Participatory
art and aesthetics Chapter Two: Performance, public (re) assembly, and
civic re-enactment Chapter Three: Autonomy and collectivity at the
Echigo-Tsumari Art Triennale in Japan Chapter Four: Cross-cultural
collaboration: Modes of participation for co-creation of the urban public
space Chapter Five: Art and local communities: Inclusion, interests and
ownership in participatory art projects with embroiderers and billiard
players Part II: Digital media and technology Chapter Six: VR - the culture
of (non)participation? Reframing the participative edge of virtual reality
Chapter Seven: Photo-sharing as participatory surveillance Chapter Eight:
Medialities of participation in sound art Chapter Nine: The participatory
patient: Exploring the platformed multivalence and public value of cancer
storytelling on social media Part III: Cultural policy and institutions
Chapter Ten: The "problem" of participation in cultural policy Chapter
Eleven: Public participation and agency in art museums Chapter Twelve:
Reordering and re-performing: Re-placing cultural participation and
re-viewing well-being measures Chapter Thirteen: Diving into the archive:
Google Cultural Institute & the cultural politics of participation
art and aesthetics Chapter Two: Performance, public (re) assembly, and
civic re-enactment Chapter Three: Autonomy and collectivity at the
Echigo-Tsumari Art Triennale in Japan Chapter Four: Cross-cultural
collaboration: Modes of participation for co-creation of the urban public
space Chapter Five: Art and local communities: Inclusion, interests and
ownership in participatory art projects with embroiderers and billiard
players Part II: Digital media and technology Chapter Six: VR - the culture
of (non)participation? Reframing the participative edge of virtual reality
Chapter Seven: Photo-sharing as participatory surveillance Chapter Eight:
Medialities of participation in sound art Chapter Nine: The participatory
patient: Exploring the platformed multivalence and public value of cancer
storytelling on social media Part III: Cultural policy and institutions
Chapter Ten: The "problem" of participation in cultural policy Chapter
Eleven: Public participation and agency in art museums Chapter Twelve:
Reordering and re-performing: Re-placing cultural participation and
re-viewing well-being measures Chapter Thirteen: Diving into the archive:
Google Cultural Institute & the cultural politics of participation
Chapter One: Introduction: Cultures of participation Part I: Participatory
art and aesthetics Chapter Two: Performance, public (re) assembly, and
civic re-enactment Chapter Three: Autonomy and collectivity at the
Echigo-Tsumari Art Triennale in Japan Chapter Four: Cross-cultural
collaboration: Modes of participation for co-creation of the urban public
space Chapter Five: Art and local communities: Inclusion, interests and
ownership in participatory art projects with embroiderers and billiard
players Part II: Digital media and technology Chapter Six: VR - the culture
of (non)participation? Reframing the participative edge of virtual reality
Chapter Seven: Photo-sharing as participatory surveillance Chapter Eight:
Medialities of participation in sound art Chapter Nine: The participatory
patient: Exploring the platformed multivalence and public value of cancer
storytelling on social media Part III: Cultural policy and institutions
Chapter Ten: The "problem" of participation in cultural policy Chapter
Eleven: Public participation and agency in art museums Chapter Twelve:
Reordering and re-performing: Re-placing cultural participation and
re-viewing well-being measures Chapter Thirteen: Diving into the archive:
Google Cultural Institute & the cultural politics of participation
art and aesthetics Chapter Two: Performance, public (re) assembly, and
civic re-enactment Chapter Three: Autonomy and collectivity at the
Echigo-Tsumari Art Triennale in Japan Chapter Four: Cross-cultural
collaboration: Modes of participation for co-creation of the urban public
space Chapter Five: Art and local communities: Inclusion, interests and
ownership in participatory art projects with embroiderers and billiard
players Part II: Digital media and technology Chapter Six: VR - the culture
of (non)participation? Reframing the participative edge of virtual reality
Chapter Seven: Photo-sharing as participatory surveillance Chapter Eight:
Medialities of participation in sound art Chapter Nine: The participatory
patient: Exploring the platformed multivalence and public value of cancer
storytelling on social media Part III: Cultural policy and institutions
Chapter Ten: The "problem" of participation in cultural policy Chapter
Eleven: Public participation and agency in art museums Chapter Twelve:
Reordering and re-performing: Re-placing cultural participation and
re-viewing well-being measures Chapter Thirteen: Diving into the archive:
Google Cultural Institute & the cultural politics of participation