Curated Fiction presents a new theory and methodology for developing, drafting and refining creative writing. At the intersection of literary studies and creative writing, this book develops a new theory for analysing how novelists use narrative point-of-view to direct readersâ trust.
Curated Fiction presents a new theory and methodology for developing, drafting and refining creative writing. At the intersection of literary studies and creative writing, this book develops a new theory for analysing how novelists use narrative point-of-view to direct readersâ trust.
Dr Cameron Hindrum lives, writes and works in lutruwita/Tasmania, the island state of Australia. He was awarded a Doctorate of Creative Arts (Writing), with double commendation, from the University of Wollongong in 2021. His first novel, The Blue Cathedral, was published in 2011 and revised and reissued in 2023; his second novel, The Sand, won the 2022 University of Tasmania Prize for best unpublished manuscript at the 2022 Tasmanian Premier's Literary Awards.
Inhaltsangabe
Acknowledgments Chapter One: In Which I Vanish Chapter Two: Of Ghosts and Things: Waterland as a Narrative Black Hole Chapter Three: The Nature of the Goods: Absence as Provocation in Graham Swift's Last Orders Chapter Four: Strange Blood: The Anti-Language of As I Lay Dying Chapter Five: The Secret Room: Artifice and historical angst in A Room Made of Leaves Foxes Chapter Six: Synthesis: an analysis of 'Foxes' Chapter Seven: Curated Fiction in Practice Conclusion Bibliography Index
Acknowledgments Chapter One: In Which I Vanish Chapter Two: Of Ghosts and Things: Waterland as a Narrative Black Hole Chapter Three: The Nature of the Goods: Absence as Provocation in Graham Swift's Last Orders Chapter Four: Strange Blood: The Anti-Language of As I Lay Dying Chapter Five: The Secret Room: Artifice and historical angst in A Room Made of Leaves Foxes Chapter Six: Synthesis: an analysis of 'Foxes' Chapter Seven: Curated Fiction in Practice Conclusion Bibliography Index
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