Curated in China: Manipulating the City through the Shenzhen Bi-City Biennale of Urbanism\Architecture 2005-2019 provides an in-depth observation of an architecture and urbanism exhibition with transformative objectives.
Curated in China: Manipulating the City through the Shenzhen Bi-City Biennale of Urbanism\Architecture 2005-2019 provides an in-depth observation of an architecture and urbanism exhibition with transformative objectives.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Monica Naso is an architect and Ph.D. holder. As a member of the China Room research group (Politecnico di Torino), she has taken part in international research & design projects. She was part of the curatorial team of the 2019 Shenzhen Bi-City Biennale of Urbanism\Architecture. Monica is currently a researcher and a teaching assistant at the Politecnico di Torino.
Inhaltsangabe
List of figures Foreword by Christoph Lindner Acknowledgements List of acronyms Introduction: Events and the city 1 Framing the Shenzhen Biennale 2 The Biennale as an urban device 3 Post-industrial legacy 4 Urban villages 5 The Central Business District Conclusion: Events as City Afterword by Huang Weiwen Index
List of figures Foreword by Christoph Lindner Acknowledgements List of acronyms Introduction: Events and the city 1 Framing the Shenzhen Biennale 2 The Biennale as an urban device 3 Post-industrial legacy 4 Urban villages 5 The Central Business District Conclusion: Events as City Afterword by Huang Weiwen Index
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