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In Curating the Moving Image, influential curator and theorist Mark Nash draws on his work at Documenta11, the Venice Biennale, and elsewhere to explore the possibilities of contemporary curation.

Produktbeschreibung
In Curating the Moving Image, influential curator and theorist Mark Nash draws on his work at Documenta11, the Venice Biennale, and elsewhere to explore the possibilities of contemporary curation.
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Autorenporträt
Mark Nash is an independent curator, film historian, and filmmaker. He is Professor of Film and Digital Media and of History of Consciousness and cofounder with Isaac Julien of the Moving Image Lab at the University of California, Santa Cruz. He is also author of Screen Theory Culture and Experiments with Truth, and editor of Red Africa: Affective Communities and the Cold War. Nash worked closely with the late Okwui Enwezor on several large exhibitions including The Short Century and Documenta11 as well as the New Museum’s Grief and Grievance: Art and Mourning in America.