Curatorial Challenges
Interdisciplinary Perspectives on Contemporary Curating
Herausgeber: Hansen, Malene Vest; Gregersen, Anne; Folke Henningsen, Anne
Curatorial Challenges
Interdisciplinary Perspectives on Contemporary Curating
Herausgeber: Hansen, Malene Vest; Gregersen, Anne; Folke Henningsen, Anne
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Curatorial Challenges investigates the challenges faced by curators and explores the practices, ways of thinking, and types of knowledge production curating exhibitions could challenge. It provides new research and perspectives on the curatorial process and bridges the gap between theoretical and academic museum studies and practices.
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Curatorial Challenges investigates the challenges faced by curators and explores the practices, ways of thinking, and types of knowledge production curating exhibitions could challenge. It provides new research and perspectives on the curatorial process and bridges the gap between theoretical and academic museum studies and practices.
Produktdetails
- Produktdetails
- Verlag: Jenny Stanford Publishing
- Seitenzahl: 266
- Erscheinungstermin: 19. März 2019
- Englisch
- Abmessung: 234mm x 156mm x 16mm
- Gewicht: 553g
- ISBN-13: 9780815370062
- ISBN-10: 0815370067
- Artikelnr.: 55982560
- Verlag: Jenny Stanford Publishing
- Seitenzahl: 266
- Erscheinungstermin: 19. März 2019
- Englisch
- Abmessung: 234mm x 156mm x 16mm
- Gewicht: 553g
- ISBN-13: 9780815370062
- ISBN-10: 0815370067
- Artikelnr.: 55982560
Malene Vest Hansen is Associate Professor of Art History at the University of Copenhagen. Anne Folke Henningsen is Associate Professor of Ethnology at the University of Copenhagen. Anne Gregersen is Curator at the J.F. Willumsens Museum and a Postdoctoral Fellow at the University of Copenhagen.
List of Figures
List of contributors
Introduction: Thinking and Doing Exhibitions
Anne Folke Henningsen, Anne Gregersen, and Malene Vest Hansen
Part I. Curating within the Changing Role of Museums as Bildung
Institutions
1. Curatorship as Bildungsroman: Or, From Hamlet to Hjelmslev
Donald Preziosi
2. Curating the Nude in Istanbul: Some Curatorial Challenges
Ahu Antmen
3. Curating the Dead Body between Medicine and Culture
Karin Tybjerg
4. Fashion Curation: Unpacking a New Discipline and Practice
Marie Riegels Melchior
5. Exhibition Addresses: The Production of Publics in Exhibitions on
Colonial History
Mathias Danbolt
6. Multi-Sited Curating as a Critical Mode of Knowledge Production
Sabine Dahl Nielsen
Part II - Exhibitions and/as Research
7. Curating and Research: An Uneasy Alliance
Simon Sheikh
8. Exhibitions as Research, Curator as Distraction
Peter Bjerregaard
9. Curating a Mild Apocalypse. Researching Anthropocene Ecologies through
Analytical Figures
Nathalia Brichet and Frida Hastrup
10. Curating experimental entanglements
Adam Bencard, Louise Whiteley and Caroline Heje Thon
11. The forgotten and the forgettable: the making of The World Goes Pop
and Other Stories
Flavia Frigeri
12. Looters, Smugglers, and Collectors: Rethinking Models of Ownership
Research and How to Mediate It through the Form of the Exhibition
Tone Hansen
Part III - Revisiting the Past and Challenging Canons
13. Multiple Modernisms: Curating the Postwar Era for the Present
Kristian Handberg
14. Contested Paradise: Exhibiting Images from the Former Danish West
Indies
Mette Kia Krabbe Meyer
15. Against the Grain of Neutralization: Exhibiting the Documentary as a
Curatorial Production of Subjective Knowledge
Susanne Neubauer
16. Innovative, Polemical, Dogmatic: The Case of Soviet Experimental Museum
Displays in 1930-1933
Masha Chlenova
Concluding remarks
Anne Folke Henningsen, Anne Gregersen and Malene Vest Hansen
Index
List of contributors
Introduction: Thinking and Doing Exhibitions
Anne Folke Henningsen, Anne Gregersen, and Malene Vest Hansen
Part I. Curating within the Changing Role of Museums as Bildung
Institutions
1. Curatorship as Bildungsroman: Or, From Hamlet to Hjelmslev
Donald Preziosi
2. Curating the Nude in Istanbul: Some Curatorial Challenges
Ahu Antmen
3. Curating the Dead Body between Medicine and Culture
Karin Tybjerg
4. Fashion Curation: Unpacking a New Discipline and Practice
Marie Riegels Melchior
5. Exhibition Addresses: The Production of Publics in Exhibitions on
Colonial History
Mathias Danbolt
6. Multi-Sited Curating as a Critical Mode of Knowledge Production
Sabine Dahl Nielsen
Part II - Exhibitions and/as Research
7. Curating and Research: An Uneasy Alliance
Simon Sheikh
8. Exhibitions as Research, Curator as Distraction
Peter Bjerregaard
9. Curating a Mild Apocalypse. Researching Anthropocene Ecologies through
Analytical Figures
Nathalia Brichet and Frida Hastrup
10. Curating experimental entanglements
Adam Bencard, Louise Whiteley and Caroline Heje Thon
11. The forgotten and the forgettable: the making of The World Goes Pop
and Other Stories
Flavia Frigeri
12. Looters, Smugglers, and Collectors: Rethinking Models of Ownership
Research and How to Mediate It through the Form of the Exhibition
Tone Hansen
Part III - Revisiting the Past and Challenging Canons
13. Multiple Modernisms: Curating the Postwar Era for the Present
Kristian Handberg
14. Contested Paradise: Exhibiting Images from the Former Danish West
Indies
Mette Kia Krabbe Meyer
15. Against the Grain of Neutralization: Exhibiting the Documentary as a
Curatorial Production of Subjective Knowledge
Susanne Neubauer
16. Innovative, Polemical, Dogmatic: The Case of Soviet Experimental Museum
Displays in 1930-1933
Masha Chlenova
Concluding remarks
Anne Folke Henningsen, Anne Gregersen and Malene Vest Hansen
Index
List of Figures
List of contributors
Introduction: Thinking and Doing Exhibitions
Anne Folke Henningsen, Anne Gregersen, and Malene Vest Hansen
Part I. Curating within the Changing Role of Museums as Bildung
Institutions
1. Curatorship as Bildungsroman: Or, From Hamlet to Hjelmslev
Donald Preziosi
2. Curating the Nude in Istanbul: Some Curatorial Challenges
Ahu Antmen
3. Curating the Dead Body between Medicine and Culture
Karin Tybjerg
4. Fashion Curation: Unpacking a New Discipline and Practice
Marie Riegels Melchior
5. Exhibition Addresses: The Production of Publics in Exhibitions on
Colonial History
Mathias Danbolt
6. Multi-Sited Curating as a Critical Mode of Knowledge Production
Sabine Dahl Nielsen
Part II - Exhibitions and/as Research
7. Curating and Research: An Uneasy Alliance
Simon Sheikh
8. Exhibitions as Research, Curator as Distraction
Peter Bjerregaard
9. Curating a Mild Apocalypse. Researching Anthropocene Ecologies through
Analytical Figures
Nathalia Brichet and Frida Hastrup
10. Curating experimental entanglements
Adam Bencard, Louise Whiteley and Caroline Heje Thon
11. The forgotten and the forgettable: the making of The World Goes Pop
and Other Stories
Flavia Frigeri
12. Looters, Smugglers, and Collectors: Rethinking Models of Ownership
Research and How to Mediate It through the Form of the Exhibition
Tone Hansen
Part III - Revisiting the Past and Challenging Canons
13. Multiple Modernisms: Curating the Postwar Era for the Present
Kristian Handberg
14. Contested Paradise: Exhibiting Images from the Former Danish West
Indies
Mette Kia Krabbe Meyer
15. Against the Grain of Neutralization: Exhibiting the Documentary as a
Curatorial Production of Subjective Knowledge
Susanne Neubauer
16. Innovative, Polemical, Dogmatic: The Case of Soviet Experimental Museum
Displays in 1930-1933
Masha Chlenova
Concluding remarks
Anne Folke Henningsen, Anne Gregersen and Malene Vest Hansen
Index
List of contributors
Introduction: Thinking and Doing Exhibitions
Anne Folke Henningsen, Anne Gregersen, and Malene Vest Hansen
Part I. Curating within the Changing Role of Museums as Bildung
Institutions
1. Curatorship as Bildungsroman: Or, From Hamlet to Hjelmslev
Donald Preziosi
2. Curating the Nude in Istanbul: Some Curatorial Challenges
Ahu Antmen
3. Curating the Dead Body between Medicine and Culture
Karin Tybjerg
4. Fashion Curation: Unpacking a New Discipline and Practice
Marie Riegels Melchior
5. Exhibition Addresses: The Production of Publics in Exhibitions on
Colonial History
Mathias Danbolt
6. Multi-Sited Curating as a Critical Mode of Knowledge Production
Sabine Dahl Nielsen
Part II - Exhibitions and/as Research
7. Curating and Research: An Uneasy Alliance
Simon Sheikh
8. Exhibitions as Research, Curator as Distraction
Peter Bjerregaard
9. Curating a Mild Apocalypse. Researching Anthropocene Ecologies through
Analytical Figures
Nathalia Brichet and Frida Hastrup
10. Curating experimental entanglements
Adam Bencard, Louise Whiteley and Caroline Heje Thon
11. The forgotten and the forgettable: the making of The World Goes Pop
and Other Stories
Flavia Frigeri
12. Looters, Smugglers, and Collectors: Rethinking Models of Ownership
Research and How to Mediate It through the Form of the Exhibition
Tone Hansen
Part III - Revisiting the Past and Challenging Canons
13. Multiple Modernisms: Curating the Postwar Era for the Present
Kristian Handberg
14. Contested Paradise: Exhibiting Images from the Former Danish West
Indies
Mette Kia Krabbe Meyer
15. Against the Grain of Neutralization: Exhibiting the Documentary as a
Curatorial Production of Subjective Knowledge
Susanne Neubauer
16. Innovative, Polemical, Dogmatic: The Case of Soviet Experimental Museum
Displays in 1930-1933
Masha Chlenova
Concluding remarks
Anne Folke Henningsen, Anne Gregersen and Malene Vest Hansen
Index