Cézanne at the Tate - James, Nicholas; Lucie-Smith, Edward
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This review considers the major Cézanne exhibition at the Tate Gallery London, staged from 8th February until 28th April 1995. Rather than focusing exclusively on the artist's work, the piece attempts to place the exhibition in context, exploring the institutional arena of presentation and the social and economic strata to which the retrospective is mainly addressed. To encompass these multiple levels of attention, the essay is based on a journey through the exhibition, seen at the press view on 6th February 1995. The record is intentionally discursive, entwining impressions both of the works…mehr

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Produktbeschreibung
This review considers the major Cézanne exhibition at the Tate Gallery London, staged from 8th February until 28th April 1995. Rather than focusing exclusively on the artist's work, the piece attempts to place the exhibition in context, exploring the institutional arena of presentation and the social and economic strata to which the retrospective is mainly addressed. To encompass these multiple levels of attention, the essay is based on a journey through the exhibition, seen at the press view on 6th February 1995. The record is intentionally discursive, entwining impressions both of the works and the audience, groups of media professionals moving from room to room in sequence around the show. Further attention is given to the formation of the catalogue, to gain a reasonably complete picture of the event. The mnograph includes further essays on Impressism and Post-Impressionism including studies of Gauguin and Pierre Bonnard exhibited at Tate Nodern. ________________________________________________
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Autorenporträt
Studied fine art (Painting) at the Slade School UCL, under Keith Vaughan and Frank Auerbach. MA History of Art Kingston University. Operated The Gallery 65a Lisson Street 1973-78 and published Cv Journal of Art and Crafts 1989-91, founding Cv Publications in 1992 and Cv/Visual Arts Research in 1995.