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Referring to Lawrence's travel writings about Mexico and Italy, his essays on European and Etruscan art, on Mexican marketplaces and rituals, and American literature, and especially to his poetic manifesto, 'The Poetry of the Present,' this book shows how Lawrence was working towards both a theory and a practice that critique the post-Enlightenment unitary European self. Chaudhuri also, radically, allows his own post-colonial identity to inform his reading of the poetry, and to let the poems enter into a conversation with that identity. This is the first time that Lawrence's poetry has been…mehr

Produktbeschreibung
Referring to Lawrence's travel writings about Mexico and Italy, his essays on European and Etruscan art, on Mexican marketplaces and rituals, and American literature, and especially to his poetic manifesto, 'The Poetry of the Present,' this book shows how Lawrence was working towards both a theory and a practice that critique the post-Enlightenment unitary European self. Chaudhuri also, radically, allows his own post-colonial identity to inform his reading of the poetry, and to let the poems enter into a conversation with that identity. This is the first time that Lawrence's poetry has been discussed in this way, in the light of post-colonial and post-structuralist theory; it is also the first time a leading post-colonial writer of his generation has taken as his subject a major canonical English writer, and, through him, remapped the English canon as a site of 'difference.'
This important study from the prizewinning novelist and critic Amit Chaudhuri explores D. H. Lawrence's position as a "foreigner" in the English canon. Focussing on the poetry, Chaudhuri examines how Lawrence's works, and Lawrence himself, have been read, and misread, in terms of their "difference." This is the first time that Lawrence's poetry has been discussed in the light of post-colonial and post-structuralist theory; it is also the first time a leading post-colonial writer of his generation has taken as his subject a major canonical English writer, and, through him, remapped the English canon as a site of "difference."
Autorenporträt
Amit Chaudhuri is a well-known novelist and critic. He writes regularly for the London Review of Books, the Times Literary Supplement, and Granta; and his works have appeared in most major publications in the world, including the New Yorker, the New Republic, the Observer, and the Guardian. In 2000, Chaudhuri was named as one of the Observer's 21 Writers for the Millennium. Awards for his fiction include: first prize in the Betty Trask Awards; the Commonwealth Literature Prize for Best First Book (Eurasia); the Society of Authors' Encore Prize for Best Second Novel; the Southern Arts Literature Prize; and the Los Angeles Times Book Prize for Fiction. His third novel, Freedom Song, was a New York Times Notable Book of the Year, and one of the New York Public Library's 25 Books to Remember, 2000.