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This book is an analysis of the social and political outlook of D.H. Lawrence as determined by the development and conflict of the social forces of his time. It discusses, specifically, the relationship between Lawrence's ideas, as an essayist and novelist, and the ruling ideology of imperialism, reaching the conclusion that Lawrence refused to face and oppose capitalist reality. He either escaped into an imaginary, anarchic utopia, or, more frequently, "criticized" capitalist relationships from the standpoint of a fascist, militaristic division into rulers and mob, aristocrats and plebeians.…mehr

Produktbeschreibung
This book is an analysis of the social and political outlook of D.H. Lawrence as determined by the development and conflict of the social forces of his time. It discusses, specifically, the relationship between Lawrence's ideas, as an essayist and novelist, and the ruling ideology of imperialism, reaching the conclusion that Lawrence refused to face and oppose capitalist reality. He either escaped into an imaginary, anarchic utopia, or, more frequently, "criticized" capitalist relationships from the standpoint of a fascist, militaristic division into rulers and mob, aristocrats and plebeians. Lawrence's letters during the First World War provide the documents that reveal the genesis of his fascist outlook. The book also traces Lawrence's attitude towards socialism throughout his literary career and concludes that anti-socialism, with varying intensity, remained an essential part of his outlook. Certain assumptions, like a contempt for man as a social being and the existential division of human beings into higher and lower creatures - into the "average" and the "exceptional" - that were basic to his outlook, are shown to be the determining factors in the writing of Lawrence's novels. The book ends with an analysis of the historical roots of the reactionary intelligentsia and discusses Lawrence's relationships with the various cultural and ideological trends of his time, dealing also with the different tactics used by the critics to hide the true nature of his political ideas.
Autorenporträt
Abdulla Al-Dabbagh is Professor of English Literature at the United Arab Emirates University. He holds a BA from Wesleyan University, an M.Litt. from Cambridge University, and a PhD from Essex University. He has taught English, American, and world literatures, literary criticism, comparative literature, and translation at universities in Iraq, Jordan, and the United Arab Emirates. He is the author of Literary Orientalism, Postcolonialism, and Universalism and Shakespeare, the Orient, and the Critics.