Thirty-nine essays and articles, written by D. H. Lawrence in the period between 1926 and his death in 1930, are collected in this volume. They include the contentious introduction to his own volume of Paintings, the highly controversial essay Pornography and Obscenity, and two autobiographical pieces never published before.
Thirty-nine essays and articles, written by D. H. Lawrence in the period between 1926 and his death in 1930, are collected in this volume. They include the contentious introduction to his own volume of Paintings, the highly controversial essay Pornography and Obscenity, and two autobiographical pieces never published before.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
Produktdetails
The Cambridge Edition of the Works of D. H. Lawrence
Born on September 11, 1885, in Eastwood, Nottinghamshire, England, David Herbert Lawrence was the fourth child of a coal miner and a former schoolteacher. His upbringing in a working-class family deeply influenced his literary themes, particularly the tensions between industrialization and nature. Lawrence's early education and experiences in his hometown laid the foundation for his future works.In 1912, Lawrence met Frieda Weekley, with whom he eloped to Europe, marking the beginning of his extensive travels. This period saw the creation of some of his most significant novels, including Sons and Lovers (1913) and The Rainbow (1915), which explored complex human relationships and societal constraints. His candid portrayal of sexuality and critique of industrial society often led to controversy and censorship.Despite facing persecution and public misrepresentation, Lawrence continued to produce influential works across various genres. His final novel, Lady Chatterley's Lover (1928), was notorious for its explicit content and faced numerous legal challenges. Lawrence's relentless exploration of human emotions and social norms has solidified his legacy as a pivotal figure in modernist literature.
Inhaltsangabe
General editor's preface Prefatory note Acknowledgements Chronology Cue-titles Introduction Late essays and articles: Note on the texts Mercury [Return to Bestwood] Getting on Which class I belong to Newthorpe in 2927 The 'Jeune Fille' wants to know Laura Philippine That women know best All there Thinking about oneself Insouciance Master in his own house Matriarchy Ownership Autobiography Women are so cocksure Why I don't like living in London Cocksure women and hen-sure men Hymns in a man's life Red trousers Is England still a man's country? Sex appeal Do women change Enslaved by civilisation Give her a pattern Introduction to pictures Myself revealed Introduction to these paintings The state of funk Making pictures Pornography and obscenity Pictures on the wall The risen lord Men must work and women as well Nottingham and the mining countryside We need one another The real thing Nobody loves me Appendix 1. Early draft of 'The 'Jeune Fille' Wants to Know' Appendix 2. Vanity Fair version of 'Do Women Change' Appendix 3. 'Mushrooms': an autobiographical fragment Explanatory notes Textual apparatus A note on pounds, shillings and pence.
General editor's preface Prefatory note Acknowledgements Chronology Cue-titles Introduction Late essays and articles: Note on the texts Mercury [Return to Bestwood] Getting on Which class I belong to Newthorpe in 2927 The 'Jeune Fille' wants to know Laura Philippine That women know best All there Thinking about oneself Insouciance Master in his own house Matriarchy Ownership Autobiography Women are so cocksure Why I don't like living in London Cocksure women and hen-sure men Hymns in a man's life Red trousers Is England still a man's country? Sex appeal Do women change Enslaved by civilisation Give her a pattern Introduction to pictures Myself revealed Introduction to these paintings The state of funk Making pictures Pornography and obscenity Pictures on the wall The risen lord Men must work and women as well Nottingham and the mining countryside We need one another The real thing Nobody loves me Appendix 1. Early draft of 'The 'Jeune Fille' Wants to Know' Appendix 2. Vanity Fair version of 'Do Women Change' Appendix 3. 'Mushrooms': an autobiographical fragment Explanatory notes Textual apparatus A note on pounds, shillings and pence.
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