This volume focuses on the unstudied geographic margins of Dada, delving into the roots of Dada in Israel, Romania, Poland, and North America.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Ronit Milano is a senior lecturer at the Department of the Arts, Ben-Gurion University of the Negev, Israel. Raya Zommer-Tal is the Director and Chief Curator of the Janco-Dada Museum, Ein Hod, Israel. Noam Gonnen is an associate lecturer at the Department of the Arts, Ben-Gurion University of the Negev, Israel.
Inhaltsangabe
Introduction Part I: Transcending Disciplinary Boundaries 1. Marcel Janco Architect in Romania 2. The Delirious Specter of Dada: Baroness Elsa von Freytag-Loringhoven and Her Costumes Using the Lenses of Collage, Assemblage, and Montage 3. Through the Eyes of an Architect, the Soul of an Artist: Marcel Janco and Ein Hod Artist Colony Part II: Reception in Eastern Europe and the Middle East 4. Dada in Romania: How Romanian Avant-Garde Magazines Celebrated Dada 5. Authenticity after Duchamp: On the Reception of the Readymade Legacy in Israel in the 1970s Part III: Disputing Matter and Materiality 6. Acoustic Ecologies: John Cage and Robert Smithson After Hugo Ball's Unrestrained Nature 7. "Junk Impresario" or The Creaking Jew Part IV: Language and Syntax 8. "Language Dissection" as a Rhetoric of Healing: Yael Bartana and the Spirit of Dada 9. The Alphabet of Forms: Initial Data for a Bottom-up Approach to Architectural Morphogenesis Part V: The Center-Margins Trajectory 10. Interview with Marcel Janco: The Years in Zurich 1914-1919 11. Marcel Janco, Dada and its reverberation and avatars in the 20th century Epilogue: dada after Dada
Introduction Part I: Transcending Disciplinary Boundaries 1. Marcel Janco Architect in Romania 2. The Delirious Specter of Dada: Baroness Elsa von Freytag-Loringhoven and Her Costumes Using the Lenses of Collage, Assemblage, and Montage 3. Through the Eyes of an Architect, the Soul of an Artist: Marcel Janco and Ein Hod Artist Colony Part II: Reception in Eastern Europe and the Middle East 4. Dada in Romania: How Romanian Avant-Garde Magazines Celebrated Dada 5. Authenticity after Duchamp: On the Reception of the Readymade Legacy in Israel in the 1970s Part III: Disputing Matter and Materiality 6. Acoustic Ecologies: John Cage and Robert Smithson After Hugo Ball's Unrestrained Nature 7. "Junk Impresario" or The Creaking Jew Part IV: Language and Syntax 8. "Language Dissection" as a Rhetoric of Healing: Yael Bartana and the Spirit of Dada 9. The Alphabet of Forms: Initial Data for a Bottom-up Approach to Architectural Morphogenesis Part V: The Center-Margins Trajectory 10. Interview with Marcel Janco: The Years in Zurich 1914-1919 11. Marcel Janco, Dada and its reverberation and avatars in the 20th century Epilogue: dada after Dada
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