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Explores the range of media employed by both Dada and Surrealism, whilst at the same time establishing the aesthetic differences between the movements. This book also examines the Dadaist obsession with the body-as-mechanism in relation to the Surrealists' return to the fetishized/eroticized body.

Produktbeschreibung
Explores the range of media employed by both Dada and Surrealism, whilst at the same time establishing the aesthetic differences between the movements. This book also examines the Dadaist obsession with the body-as-mechanism in relation to the Surrealists' return to the fetishized/eroticized body.
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Autorenporträt
Dr David Hopkins is lecturer in Art History at Glasgow University. He is the author of After Modern Art: 1045-2000 (OUP, 2000); previous publications include Marcel Duchamp and Max Ernst: the Bride Shared (OUP, 1988).
Rezensionen
In a relatively small space Hopkins manages a stylish presentation and analysis of two of modernism's most famous isms. Bear Books