This collection of essays by dancers, scholars of ethnochoreology, dance studies, drama studies, cultural studies, literature, and architecture explores Irish-German connections through dancein choreographic processes and on stage, in literary texts, photography, dance documentation, film, and architecture since the 1920s.
This collection of essays by dancers, scholars of ethnochoreology, dance studies, drama studies, cultural studies, literature, and architecture explores Irish-German connections through dancein choreographic processes and on stage, in literary texts, photography, dance documentation, film, and architecture since the 1920s.
Sabine Egger is lecturer in German studies at Mary Immaculate College and joint director of the Irish Centre for Transnational Studies. Catherine E. Foley is senior lecturer in ethnochoreology at the Irish World Academy of Music and Dance at the University of Limerick. Margaret Mills Harper is Glucksman Professor in Contemporary Writing in English at the University of Limerick.
Inhaltsangabe
Chapter One: Modernism, Migration, and Irish-German Connections in the 1930s and 1940s: The Impact of Modern Physics and Dance on Ireland Gisela Holfter Chapter Two: Erina Brady: Mary Wigman's Irish Disciple? Deirdre Mulrooney Chapter Three: Duality of Cultural Influences as a Source of Insight and Inspiration: The Collaboration between Aloys Fleischmann and Joan Moriarty 19471992 Ruth Fleischmann Chapter Four: Irish Dance Documentation for the Archive: A Personal Reflection on Irish-German Connections and Intellectual Inheritances Catherine E. Foley Chapter Five: "Somewhere Between Remembering and Forgetting": An Examination of the Choreographic Process Inspired by the Poem "The Man Made of Rain" by Brendan Kennelly Marguerite Donlon Chapter Six: Creating Tanztheater: Finding Ireland with Pina? Finola Cronin Chapter Seven: Irish Modernism and the History and Aesthetics of Dance Susan Jones Chapter Eight: Rhythm and Colour: The Legacy of Dance in 1930s Joyce and Beckett Siobhán Purcell Chapter Nine: Yeats's Transgressive Dancers Margaret Mills Harper Chapter Ten: "I as a Text," I as a Dance: On the Relationship of Contemporary Dance and Contemporary Poetry with Reference to Anne Juren, Martina Hefter, Monika Rinck, and Philipp Gehmacher Lucia Ruprecht Chapter Eleven: Dancing between Transgression and the Carnivalesque after 1945/1989: Johannes Bobrowski and Katja Petrowskaja Sabine Egger Chapter Twelve: Dance and the Postmodern Subject in "Libidoökonomie" and "Der Kranich auf dem Kiesel in der Pfütze" by Feridun Zaimoglu Joseph Twist Chapter Thirteen: "Alive. Changing. New": Impulses of the Jaques-Dalcroze Dance Institute on the Architecture of Ludwig Mies van der Rohe Tanja Poppelreuter and Jan Frohburg
Chapter One: Modernism, Migration, and Irish-German Connections in the 1930s and 1940s: The Impact of Modern Physics and Dance on Ireland Gisela Holfter Chapter Two: Erina Brady: Mary Wigman's Irish Disciple? Deirdre Mulrooney Chapter Three: Duality of Cultural Influences as a Source of Insight and Inspiration: The Collaboration between Aloys Fleischmann and Joan Moriarty 19471992 Ruth Fleischmann Chapter Four: Irish Dance Documentation for the Archive: A Personal Reflection on Irish-German Connections and Intellectual Inheritances Catherine E. Foley Chapter Five: "Somewhere Between Remembering and Forgetting": An Examination of the Choreographic Process Inspired by the Poem "The Man Made of Rain" by Brendan Kennelly Marguerite Donlon Chapter Six: Creating Tanztheater: Finding Ireland with Pina? Finola Cronin Chapter Seven: Irish Modernism and the History and Aesthetics of Dance Susan Jones Chapter Eight: Rhythm and Colour: The Legacy of Dance in 1930s Joyce and Beckett Siobhán Purcell Chapter Nine: Yeats's Transgressive Dancers Margaret Mills Harper Chapter Ten: "I as a Text," I as a Dance: On the Relationship of Contemporary Dance and Contemporary Poetry with Reference to Anne Juren, Martina Hefter, Monika Rinck, and Philipp Gehmacher Lucia Ruprecht Chapter Eleven: Dancing between Transgression and the Carnivalesque after 1945/1989: Johannes Bobrowski and Katja Petrowskaja Sabine Egger Chapter Twelve: Dance and the Postmodern Subject in "Libidoökonomie" and "Der Kranich auf dem Kiesel in der Pfütze" by Feridun Zaimoglu Joseph Twist Chapter Thirteen: "Alive. Changing. New": Impulses of the Jaques-Dalcroze Dance Institute on the Architecture of Ludwig Mies van der Rohe Tanja Poppelreuter and Jan Frohburg
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