First published in 1991. In this volume the author examines the place of dance in contemporary Britain. Doing so, he sets out to provide the historical, political and structural elements necessary to achieve a broad understanding of dance in society.
First published in 1991. In this volume the author examines the place of dance in contemporary Britain. Doing so, he sets out to provide the historical, political and structural elements necessary to achieve a broad understanding of dance in society.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Part 1 In the theatre: is there a British dance culture? - today's dance theatre the modernist impact post-modernist lessons; whose post- modernism? - the contemporary response the classical response. Part 2 Outside the theatre: education for what? - understanding through history dance and physical education dance as education dance and creativity some conclusions; what can dance do for higher education and vice versa? - partnership scholarly beginnings classical scholarly beginnings educational today's situation; whose arts whose community? - principles and some practice applications the context of community dance and mime developing community dance and mime; whose national dance culture? Part 3 Aspects of dance culture.
Part 1 In the theatre: is there a British dance culture? - today's dance theatre the modernist impact post-modernist lessons; whose post- modernism? - the contemporary response the classical response. Part 2 Outside the theatre: education for what? - understanding through history dance and physical education dance as education dance and creativity some conclusions; what can dance do for higher education and vice versa? - partnership scholarly beginnings classical scholarly beginnings educational today's situation; whose arts whose community? - principles and some practice applications the context of community dance and mime developing community dance and mime; whose national dance culture? Part 3 Aspects of dance culture.
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