Dance as Text: Ideologies of the Baroque Body is a historical and theoretical examination of French court ballet of the late Renaissance and early baroque.
Dance as Text: Ideologies of the Baroque Body is a historical and theoretical examination of French court ballet of the late Renaissance and early baroque.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Mark Franko was born in New York City and was a professional dancer before becoming a choreographer and a dance scholar. He has written six books and continues to choreograph and perform.
Inhaltsangabe
List of illustrations Series editor's preface Acknowledgements Abbreviations Preface to Updated Edition Prologue: Constructing the Baroque Body 1. Writing Dancing, 1573 2. Ut vox corpus, 1581 3. Interlude: Montaigne's dance, 1580s 4. Political erotics of burlesque ballet, 1624-1627 5. Molière and textual closure: Comedy-ballet, 1661-1670 Epilogue: Repeatability, reconstruction, and beyond Appendix 1: Notes on Characters of Dance Appendix 2: Original text and translation of Les Fées (1625) Appendix 3: Original text and translation of Lettres Patentes (1662) Appendix 4: The Amerindian in French humanist and burlesque court ballets Notes Bibliography Index
List of illustrations Series editor's preface Acknowledgements Abbreviations Preface to Updated Edition Prologue: Constructing the Baroque Body 1. Writing Dancing, 1573 2. Ut vox corpus, 1581 3. Interlude: Montaigne's dance, 1580s 4. Political erotics of burlesque ballet, 1624-1627 5. Molière and textual closure: Comedy-ballet, 1661-1670 Epilogue: Repeatability, reconstruction, and beyond Appendix 1: Notes on Characters of Dance Appendix 2: Original text and translation of Les Fées (1625) Appendix 3: Original text and translation of Lettres Patentes (1662) Appendix 4: The Amerindian in French humanist and burlesque court ballets Notes Bibliography Index
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