Dance on the American Musical Theatre Stage: A History chronicles the development of dance, with an emphasis on musicals and the Broadway stage, in the United States from its colonial beginnings to performances of the present day. This book explores the fascinating tug-and-pull between the European classical, folk, and social dance imports and America's indigenous dance forms as they met and collided on the popular musical theatre stage. This historical background influenced a specific musical theatre movement vocabulary and a unique choreographic approach that is recognizable today as…mehr
Dance on the American Musical Theatre Stage: A History chronicles the development of dance, with an emphasis on musicals and the Broadway stage, in the United States from its colonial beginnings to performances of the present day.
This book explores the fascinating tug-and-pull between the European classical, folk, and social dance imports and America's indigenous dance forms as they met and collided on the popular musical theatre stage. This historical background influenced a specific musical theatre movement vocabulary and a unique choreographic approach that is recognizable today as Broadway-style dancing. Throughout the book, a cultural context is woven into the history to reveal how the competing values within American culture, and its attempts as a nation to define and redefine itself, played out through developments in dance on the musical theatre stage.
This book is central to the conversation on how dance influences and reflects society, and will be of interest to students and scholars of Musical Theatre, Theatre Studies, Dance, and Cultural History.
Ray Miller is a Professor of Dance Studies and Theatre Arts at Appalachian State University, NC, USA.
Inhaltsangabe
1. 1492-1776: The Earliest Beginnings 2. 1776-1866: John Durang and the Dawn of American Theatrical Dance 3. 1866-1914: Building a Musical Theatre Dance Vocabulary 4. 1914-1929: The Dance Director: Front and Center 5. 1929-1943: Depression Ferments New Visions: Ballet and Modern Dance 6. 1943-1957: Integration: Dance Narrates 7. 1957-1968: Triple Threats Grow as Director-Choreographers Rise 8. 1968-1975: The Concept Musical Makes Room for Dance 9. 1975-1996: The Age of the Director-Choreographer Wanes 10. 1996-2020: Choreography and the Musical Break Open
1. 1492 1776: The Earliest Beginnings 2. 1776 1866: John Durang and the Dawn of American Theatrical Dance 3. 1866 1914: Building a Musical Theatre Dance Vocabulary 4. 1914 1929: The Dance Director: Front and Center 5. 1929 1943: Depression Ferments New Visions: Ballet and Modern Dance 6. 1943 1957: Integration: Dance Narrates 7. 1957 1968: Triple Threats Grow as Director Choreographers Rise 8. 1968 1975: The Concept Musical Makes Room for Dance 9. 1975 1996: The Age of the Director Choreographer Wanes 10. 1996 2020: Choreography and the Musical Break Open
1. 1492-1776: The Earliest Beginnings 2. 1776-1866: John Durang and the Dawn of American Theatrical Dance 3. 1866-1914: Building a Musical Theatre Dance Vocabulary 4. 1914-1929: The Dance Director: Front and Center 5. 1929-1943: Depression Ferments New Visions: Ballet and Modern Dance 6. 1943-1957: Integration: Dance Narrates 7. 1957-1968: Triple Threats Grow as Director-Choreographers Rise 8. 1968-1975: The Concept Musical Makes Room for Dance 9. 1975-1996: The Age of the Director-Choreographer Wanes 10. 1996-2020: Choreography and the Musical Break Open
1. 1492 1776: The Earliest Beginnings 2. 1776 1866: John Durang and the Dawn of American Theatrical Dance 3. 1866 1914: Building a Musical Theatre Dance Vocabulary 4. 1914 1929: The Dance Director: Front and Center 5. 1929 1943: Depression Ferments New Visions: Ballet and Modern Dance 6. 1943 1957: Integration: Dance Narrates 7. 1957 1968: Triple Threats Grow as Director Choreographers Rise 8. 1968 1975: The Concept Musical Makes Room for Dance 9. 1975 1996: The Age of the Director Choreographer Wanes 10. 1996 2020: Choreography and the Musical Break Open
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