For centuries, the rite of the tarantula was the only cure for those 'bitten' or 'possessed' by the mythic Apulian spider. Its victims had to dance to the local tarantella or 'pizzica' for days on end. Today, the pizzica has returned to the limelight, bringing to the forefront issues of performance, gender, identity and well-being. This book explores how and why the pizzica has boomed in the Salento and elsewhere and asks whether this current popu- larity has anything to do with the historic ritual of tarantism or with the intention of recovering well-being. While personal stories and…mehr
For centuries, the rite of the tarantula was the only cure for those 'bitten' or 'possessed' by the mythic Apulian spider. Its victims had to dance to the local tarantella or 'pizzica' for days on end. Today, the pizzica has returned to the limelight, bringing to the forefront issues of performance, gender, identity and well-being. This book explores how and why the pizzica has boomed in the Salento and elsewhere and asks whether this current popu- larity has anything to do with the historic ritual of tarantism or with the intention of recovering well-being. While personal stories and experiences may confirm the latter, a vital shift has appeared in the Salento: from the confrontation of life crises to the vibrant promotion and celebration of a local sense of identity and celebrity.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Karen Lüdtke received her DPhil in Social Anthropology from the University of Oxford. Aspects of her research on the performance arts and well-being in the context of the Salento have been published in the edited volumes Music as Medicine(Ashgate, London) and Performing Ecstasies(Institute for Mediaeval Music, Ottawa).
Inhaltsangabe
List of Illustrations Acknowledgements Preface Introduction: Tarantula Territory * Salentine Tarantulas: Spider Dances and Discourses * Tracking Down the Spider: Research Techniques and Intentions * Crisis, Celebrity and Celebration: Contextualizing Salentine Tarantulas * Preview: Summarizing this Book PART I: PAST AND PRESENT SPIDER WEBS Chapter 1. Seeking St Paul: Historical and Contemporary Enactments * Dances at Galatina: a Crossroads of Old and New Tarantati * Dances on Screen: Invention versus Intention * Maria's 1959 Domestic Ritual: a Historical Performance * Ada's 2001 Dance on TV: a Contemporary Performance Chapter 2. Webs through Time: Origins and History of Tarantism * Possible Origins: Searching for Tarantism's Roots * Historical Interpretations: Explaining the Tarantula's Cult * De Martino's View: a Key Point of Reference * Recent Studies: Continuing the Quest for Answers PART II: THE SPIDER'S CULT TODAY Chapter 3. Curing Myths and Fictive Cures: Views of Believers and Sceptics * Tarantism as Cure: Debates in Favour of the Tarantula * St Paul's Grotto: a Contested Site * Spider Poisoning: a Contested Case * Tarantism as Fiction: Debates Against the Tarantula Chapter 4. Ads and Antidotes: Celebrity versus Conservation Taranta-muffin, Techno-pizzica, Tarantavirus: Hybridizing the Pizzica * The Festival of San Rocco: Revitalizing and Commercializing Traditions * La Notte della Taranta: a Music and Media Spectacle * La Sagra dei Curli: a Community Festival Chapter 5. Sensing Identities and Well-being: Personal Motivations and Experiences * The Alla Bua: Music for Healing * Tanya's Story: Dancing Colours * Ada's Story: Retrieving Soundness PART III: FROM RITUAL TO LIMELIGHT Chapter 6. SpiderWoMen Transfixed: Negotiating Crisis and Cure * Diagnosing Spiders: Identifying Tarantula Cases * Views on Venom: Interpreting the Spider's Bite * Tarantula Alternatives: Choosing Treatment Options Chapter 7. Tarantula Threads and Showbiz Airs: Fine-tuning Performances * Spider Sites: Performance Places * Spider Schedules: Performance Times * Tarantula Threads: Past Props and Techniques * Showbiz Airs: Present Props and Techniques Chapter 8. SpiderWoMen Transformed: Celebrating Well-being * Magic Circles: Allowing Music to Take Over * Rhythmic Intervention: Choosing to Entrain * Vibrating the Spider's Web: Tapping a Source of Vitality * Integrating Toxins: Connecting Self and Other * Transforming Identities: Evoking a Sense of Belonging PART IV: CONCLUSION Chapter 9. Dancing Beyond Spiders * Evelina's Story: Living with the Tarantula * Tarantula Rhythms: Reflections on Performance and Well-being Epilogue Bibliography Filmography Index
List of Illustrations Acknowledgements Preface Introduction: Tarantula Territory * Salentine Tarantulas: Spider Dances and Discourses * Tracking Down the Spider: Research Techniques and Intentions * Crisis, Celebrity and Celebration: Contextualizing Salentine Tarantulas * Preview: Summarizing this Book PART I: PAST AND PRESENT SPIDER WEBS Chapter 1. Seeking St Paul: Historical and Contemporary Enactments * Dances at Galatina: a Crossroads of Old and New Tarantati * Dances on Screen: Invention versus Intention * Maria's 1959 Domestic Ritual: a Historical Performance * Ada's 2001 Dance on TV: a Contemporary Performance Chapter 2. Webs through Time: Origins and History of Tarantism * Possible Origins: Searching for Tarantism's Roots * Historical Interpretations: Explaining the Tarantula's Cult * De Martino's View: a Key Point of Reference * Recent Studies: Continuing the Quest for Answers PART II: THE SPIDER'S CULT TODAY Chapter 3. Curing Myths and Fictive Cures: Views of Believers and Sceptics * Tarantism as Cure: Debates in Favour of the Tarantula * St Paul's Grotto: a Contested Site * Spider Poisoning: a Contested Case * Tarantism as Fiction: Debates Against the Tarantula Chapter 4. Ads and Antidotes: Celebrity versus Conservation Taranta-muffin, Techno-pizzica, Tarantavirus: Hybridizing the Pizzica * The Festival of San Rocco: Revitalizing and Commercializing Traditions * La Notte della Taranta: a Music and Media Spectacle * La Sagra dei Curli: a Community Festival Chapter 5. Sensing Identities and Well-being: Personal Motivations and Experiences * The Alla Bua: Music for Healing * Tanya's Story: Dancing Colours * Ada's Story: Retrieving Soundness PART III: FROM RITUAL TO LIMELIGHT Chapter 6. SpiderWoMen Transfixed: Negotiating Crisis and Cure * Diagnosing Spiders: Identifying Tarantula Cases * Views on Venom: Interpreting the Spider's Bite * Tarantula Alternatives: Choosing Treatment Options Chapter 7. Tarantula Threads and Showbiz Airs: Fine-tuning Performances * Spider Sites: Performance Places * Spider Schedules: Performance Times * Tarantula Threads: Past Props and Techniques * Showbiz Airs: Present Props and Techniques Chapter 8. SpiderWoMen Transformed: Celebrating Well-being * Magic Circles: Allowing Music to Take Over * Rhythmic Intervention: Choosing to Entrain * Vibrating the Spider's Web: Tapping a Source of Vitality * Integrating Toxins: Connecting Self and Other * Transforming Identities: Evoking a Sense of Belonging PART IV: CONCLUSION Chapter 9. Dancing Beyond Spiders * Evelina's Story: Living with the Tarantula * Tarantula Rhythms: Reflections on Performance and Well-being Epilogue Bibliography Filmography Index
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826