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The age of high tech is haunted by an image from the last century that developed in the three decades between the patenting of the cinematographe and its turn toward sound: the dancing machine, paradox of the ease of mechanization and its tortures, embodiment of the motor and the automaton, image of fusion and fragmentation. >

Produktbeschreibung
The age of high tech is haunted by an image from the last century that developed in the three decades between the patenting of the cinematographe and its turn toward sound: the dancing machine, paradox of the ease of mechanization and its tortures, embodiment of the motor and the automaton, image of fusion and fragmentation. >
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Autorenporträt
Felicia McCarren is Professor of French at Tulane University and the author of Dance Pathologies: Performance, Poetics, Medicine (Stanford, 1998) and French Moves: The Cultural Politics of le hip hop(Oxford, 2013).