Relying on extensive archival research, choreography as an analytical methodology, and theories of race, dance, and performance studies, this book examines how dance and other forms of embodiment participated in Mexico's formation after the Mexican War of Independence (1821-1876), the Porfirian dictatorship (1876-1911), and postrevolutionary Mexico (1919-1940). Author Jose Reynoso analyzes how underlying colonial logics continued to influence relationships amongst dancers, other artists, government officials, critics, and audiences of different backgrounds as they refashioned their racial, social, cultural, and national identities.…mehr
Relying on extensive archival research, choreography as an analytical methodology, and theories of race, dance, and performance studies, this book examines how dance and other forms of embodiment participated in Mexico's formation after the Mexican War of Independence (1821-1876), the Porfirian dictatorship (1876-1911), and postrevolutionary Mexico (1919-1940). Author Jose Reynoso analyzes how underlying colonial logics continued to influence relationships amongst dancers, other artists, government officials, critics, and audiences of different backgrounds as they refashioned their racial, social, cultural, and national identities.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Jose Luis Reynoso is Assistant Professor of Critical Dance Studies at UC Riverside. He was the Andrew W. Mellon postdoctoral fellow in Dances Studies in/and the Humanities at Northwestern University (2012-2014) and completed a M.F.A. in dance (2006) and Ph.D. in culture and performance (2012) at UCLA. He also holds a M.A. degree in psychology from California State University Los Angeles (2003). Dr. Reynoso has published articles on political economy and artistic ideology in postmodern dance practices in the US and Europe, dance studies and dance practices in Mexico, and mestizo dance modernisms in Latin America.
Inhaltsangabe
* Acknowledgments * Introduction: Dancing Embodied Mestizo Modernisms, Choreographing Transnational Nationalisms * 1. Mexico City's Ambivalent Spatial Mestizaje: Bodies in Motion from Independence * to Dictatorship * 2. Choreographing the Indigenous Body in the Independence Centennial: From * Dictatorship to Revolution * 3. Embracing the Indigenous while Establishing a Mestizo Nation: Forjando a Revolutionary Patria * 4. The Making of a Postrevolutionary Modern Dance Form: Debating National and International * Politics and Aesthetics (1930s-1940) * Coda: Contemporary Mestizo Modernisms and Transnational Nationalisms in the US * Bibliography * Index
* Acknowledgments * Introduction: Dancing Embodied Mestizo Modernisms, Choreographing Transnational Nationalisms * 1. Mexico City's Ambivalent Spatial Mestizaje: Bodies in Motion from Independence * to Dictatorship * 2. Choreographing the Indigenous Body in the Independence Centennial: From * Dictatorship to Revolution * 3. Embracing the Indigenous while Establishing a Mestizo Nation: Forjando a Revolutionary Patria * 4. The Making of a Postrevolutionary Modern Dance Form: Debating National and International * Politics and Aesthetics (1930s-1940) * Coda: Contemporary Mestizo Modernisms and Transnational Nationalisms in the US * Bibliography * Index
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