Laura Katz Rizzo is Program Coordinator of the Bachelor of Fine Arts Program in Dance at Temple University, as well as a frequent guest speaker, choreographer, and pedagogue at universities and ballet companies across the United States.
Laura Katz Rizzo is Program Coordinator of the Bachelor of Fine Arts Program in Dance at Temple University, as well as a frequent guest speaker, choreographer, and pedagogue at universities and ballet companies across the United States.
Laura Katz Rizzo is Program Coordinator of the Bachelor of Fine Arts Program in Dance at Temple University, as well as a frequent guest speaker, choreographer, and pedagogue at universities and ballet companies across the United States.
Inhaltsangabe
Acknowledgments Introduction/Prologue 1 • Women Creating Ballet: The Case of The Sleeping Beauty 2 • From Saint Petersburg to Philadelphia: Reviving and Reanimating Classicism in America 3 • Catherine Littlefield and The Sleeping Beauty’s American Premiere (1937) 4 • Aurora Streamlined and Accelerated: Barbara Weisberger and the Second U.S. Production (1965) 5 • Aurora Speaks: What Ballerinas Have to Say about The Sleeping Beauty 6 • The Power of Dance Technique and the Agency of the Ballerina Conclusion/Curtain Call Appendix: Plot and Stage Action Notes Index
Acknowledgments Introduction/Prologue 1 • Women Creating Ballet: The Case of The Sleeping Beauty 2 • From Saint Petersburg to Philadelphia: Reviving and Reanimating Classicism in America 3 • Catherine Littlefield and The Sleeping Beauty’s American Premiere (1937) 4 • Aurora Streamlined and Accelerated: Barbara Weisberger and the Second U.S. Production (1965) 5 • Aurora Speaks: What Ballerinas Have to Say about The Sleeping Beauty 6 • The Power of Dance Technique and the Agency of the Ballerina Conclusion/Curtain Call Appendix: Plot and Stage Action Notes Index
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