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Elegy... a lament, a requiem, a funeral song. Long ago, Piers Brooks had a farm that was referred to by all the locals as Eden, favorably compared to that biblical utopia. Like Paradise Lost, the once idyllic homestead is no more. A little, dark-eyed girl stared out the back windshield of the family car, watching it slowly disappear behind them, too young to realize that grown-ups who mourn the fact that one can never go home again, do so for a reason. The little dark-eyed girl is now a beautiful, dark-eyed woman, who finds herself alone in the world, and dreams of returning to a lush,…mehr

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Elegy... a lament, a requiem, a funeral song. Long ago, Piers Brooks had a farm that was referred to by all the locals as Eden, favorably compared to that biblical utopia. Like Paradise Lost, the once idyllic homestead is no more. A little, dark-eyed girl stared out the back windshield of the family car, watching it slowly disappear behind them, too young to realize that grown-ups who mourn the fact that one can never go home again, do so for a reason. The little dark-eyed girl is now a beautiful, dark-eyed woman, who finds herself alone in the world, and dreams of returning to a lush, flourishing marker in time, of what was once a cherished life. One of the last things Piers Brooks told his daughter is that it would be better if she let it live on as a lovely childhood memory, and not try to revisit a place that could surely not be expected to still exist as the fertile, pleasant parcel of earth they drove away from, leaving it vulnerable, unprotected, and at the mercy of what was to come. Now, she covers her mouth with her hands, and stares all around in shock, and grief, with a keen sense of having been violated, too late to realize that her father had desperately wanted to spare his child the kind of disappointment that casts doubts on the validity of what were once carefully treasured memories. Eden is dead. Evil has come, and blood has been spilled. All that remains is the refuse, the debris, the desecration, the willful defilement, and carnage at the hands of careless, lawless strangers, who have swarmed and landed, as vultures gathering to peck at the carcass. The return of the daughter of Piers Brooks has now drawn their malevolent focus and they are obsessed with the desire to claim her as their next victim. A man has stepped forward from the shadows of the past, who loved Eden from afar and paid the price for its ransom. There can be no resurrection, but he longs to let it rest in peace and dignity. To the child he knew and to the woman she has become, his kindness is an act of respect, a tribute... a funeral song. An elegy for Eden.
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Autorenporträt
Rhonda Hanson is one of a pair of twins, the youngest of ten siblings, raised on Black Bayou in Louisiana. For much of her childhood, she lived without the luxuries of indoor plumbing and electricity and, growing up without the Internet, devices, or television, she was left to discover the exciting worlds that can only be discovered within the pages of a good book. She is a collector of vintage children's books, and is not embarrassed to admit that she will reread the same book over and over, if it makes her happy. Her own imagination began to be challenged at an early age, and she would pen practically anything and everything that fermented in her mind, much of which is sadly lost or left back in her youth, probably in some old trunk in someone's barn.Today, Rhonda is a novelist, recording artist, songwriter, musician and speaker, but her most crowning achievement is being "Grammy" to her two granddaughters. She spends her days in middle Tennessee, writing, convincing feral cats that the Hanson Hotel is open for business, bragging to anyone who will listen about her grandchildren and tearing all her MacBooks apart and rebuilding them, because of her stubborn refusal to upgrade. Her first completed novel was "Father's Choice", book one in the three-book Father series, followed by Father's Wings and Father's Song, and the linked novel Father's Friend. Rhonda is also the author of a children's book, "The Adventures Of Pahwoo And Her Friends", which is the narrative of an ongoing bedtime story she regularly told her grandchildren, for a period of over seven years, and The Master Of Hawthorn Manor.