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Nan is a young novelist who has a large family. Her grandmother lives with her widowed mother (a woman who doesn't know what to do with herself now that her children are grown). Her sister, Neville, is similarly in the same predicament (her children having grown and are attending University), except that her husband is too busy pursuing his career to pay any attention to her. She returns to college to spend her copious spare time, only to discover that her brain was not as brilliant as it was in her earlier years. So Nan, having to deal with all her family members, decides that she is ready…mehr

Produktbeschreibung
Nan is a young novelist who has a large family. Her grandmother lives with her widowed mother (a woman who doesn't know what to do with herself now that her children are grown). Her sister, Neville, is similarly in the same predicament (her children having grown and are attending University), except that her husband is too busy pursuing his career to pay any attention to her. She returns to college to spend her copious spare time, only to discover that her brain was not as brilliant as it was in her earlier years. So Nan, having to deal with all her family members, decides that she is ready for commitment. The only problem is, she's waited too long! Her boyfriend has fallen in love with Neville's daughter, her own niece. And now she must put her life back together in the midst of all the chaos that surrounds her.
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Autorenporträt
Dame Emilie Rose Macaulay (1881 - 1958) was an English writer, most noted for her award-winning novel The Towers of Trebizond, about a small Anglo-Catholic group crossing Turkey by camel. The story is seen as a spiritual autobiography, reflecting her own changing and conflicting beliefs. Macaulay's novels were partly-influenced by Virginia Woolf; she also wrote biographies and travelogues. The Towers of Trebizond, her final novel, is generally regarded as her masterpiece. Strongly autobiographical, it treats with wistful humor and deep sadness the attractions of mystical Christianity and the irremediable conflict between adulterous love and the demands of the Christian faith. For this work, she received the James Tait Black Memorial Prize in 1956.