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This vintage book contains Dame Rose Macaulay's 1921 novel, "Dangerous Ages". A young writer with a sizeable family returns to college as a way to spend her free time, but finds that she is perhaps not as sharp as she once was. Sick of her chaotic family, she decides to settle down, but realises that her boyfriend was no longer wiling to wait and has fallen for someone else... and her own niece, no less. Struggling with all the commitments that come with a large family, she endeavours to put her life back together again. Dame Emilie Rose Macaulay (1881 - 1958) was an English writer. She is…mehr

Produktbeschreibung
This vintage book contains Dame Rose Macaulay's 1921 novel, "Dangerous Ages". A young writer with a sizeable family returns to college as a way to spend her free time, but finds that she is perhaps not as sharp as she once was. Sick of her chaotic family, she decides to settle down, but realises that her boyfriend was no longer wiling to wait and has fallen for someone else... and her own niece, no less. Struggling with all the commitments that come with a large family, she endeavours to put her life back together again. Dame Emilie Rose Macaulay (1881 - 1958) was an English writer. She is most famous for the award-winning novel "The Towers of Trebizond" (1956). Many vintage books such as this are increasingly scarce and expensive. We are republishing this volume now in an affordable, modern edition complete with a specially commissioned new introduction.
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Autorenporträt
Dame Emilie Rose Macaulay (1881 - 1958) was an English writer, most noted for her award-winning novel The Towers of Trebizond, about a small Anglo-Catholic group crossing Turkey by camel. The story is seen as a spiritual autobiography, reflecting her own changing and conflicting beliefs. Macaulay's novels were partly-influenced by Virginia Woolf; she also wrote biographies and travelogues. The Towers of Trebizond, her final novel, is generally regarded as her masterpiece. Strongly autobiographical, it treats with wistful humor and deep sadness the attractions of mystical Christianity and the irremediable conflict between adulterous love and the demands of the Christian faith. For this work, she received the James Tait Black Memorial Prize in 1956.