Simon Gilson examines Dante's reception in Florence in the fourteenth and fifteenth centuries, particularly his influence on Boccaccio and Petrarch, and on humanism. Ranging across literature, philosophy and art, Gilson's study fully illuminates for the first time Dante's central place in Italian Renaissance culture and thought.
Simon Gilson examines Dante's reception in Florence in the fourteenth and fifteenth centuries, particularly his influence on Boccaccio and Petrarch, and on humanism. Ranging across literature, philosophy and art, Gilson's study fully illuminates for the first time Dante's central place in Italian Renaissance culture and thought.
Simon Gilson is Senior Lecturer in Italian at the University of Warwick.
Inhaltsangabe
List of illustrations Acknowledgements List of abbreviations Introduction Part I. Competing Cults: the Legacy of the Trecento and the Impact of Humanism, 1350-1430: 1. Boccaccio and Petrarch 2. Florentine humanism and vernacular culture: perspectives on Dante, 1375-1430 Part II. New Directions and the Rise of the Vernacular, 1430-1481: 3. Dante as a civic and linguistic model, 1430-1441 4. Dante and Florentine vernacular humanism: critical judgments and literary experiments Part III. Cristoforo Landino and his Comento sopra la Comedia (1481): 5. Cristoforo Landino on Dante and Florence: the prologue to the Comento 6. Tradition and innovation in Cristoforo Landino's Comento: platonism, natural science and classicism Conclusion Notes Selected bibliography Index.
List of illustrations Acknowledgements List of abbreviations Introduction Part I. Competing Cults: the Legacy of the Trecento and the Impact of Humanism, 1350-1430: 1. Boccaccio and Petrarch 2. Florentine humanism and vernacular culture: perspectives on Dante, 1375-1430 Part II. New Directions and the Rise of the Vernacular, 1430-1481: 3. Dante as a civic and linguistic model, 1430-1441 4. Dante and Florentine vernacular humanism: critical judgments and literary experiments Part III. Cristoforo Landino and his Comento sopra la Comedia (1481): 5. Cristoforo Landino on Dante and Florence: the prologue to the Comento 6. Tradition and innovation in Cristoforo Landino's Comento: platonism, natural science and classicism Conclusion Notes Selected bibliography Index.
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