A new approach to reading Dante's La Comedia Divinia through the lens of art history. Dante, Artist of Gesture brings Dante's canonical text into conversation with the visual art of his time to suggest the importance of visual cues to the reading and interpretation of the text itself.
A new approach to reading Dante's La Comedia Divinia through the lens of art history. Dante, Artist of Gesture brings Dante's canonical text into conversation with the visual art of his time to suggest the importance of visual cues to the reading and interpretation of the text itself.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Heather Webb is the Professor of Medieval Italian Literature and Culture at the University of Cambridge and a Fellow of Selwyn College. She received her PhD from Stanford University in 2004 and taught at The Ohio State University for eight years before coming to Cambridge. She is the author of two monographs, The Medieval Heart (2010), and Dante's Persons: An Ethics of the Transhuman (2016) and has co-edited five books, including Vertical Readings in Dante's 'Comedy' in three volumes, and the forthcoming Dante's 'Vita nova': A Collaborative Reading.
Inhaltsangabe
Introduction 1: Reading Bodies in Motion 2: Dante as Visual Artist 3: Fixity and Flexibility 4: Modelling Gestural Virtues in Dante's Purgatorio 5: Asymmetrical Affections 6: Heavenly Proximities and Contagions Bibliography