Dante on View opens an important new dimension in Dante studies. The volume's interdisciplinary approach to reception brings together literary criticism, visual culture and performance studies. Dante's Commedia is re-created through the performances of readers and artists in a wide range of media. The essays analyse creative uses of the poet from medieval manuscript illumination to nineteenth and twentieth-century stage productions, from film to ballet and hyperinstruments.
Dante on View opens an important new dimension in Dante studies. The volume's interdisciplinary approach to reception brings together literary criticism, visual culture and performance studies. Dante's Commedia is re-created through the performances of readers and artists in a wide range of media. The essays analyse creative uses of the poet from medieval manuscript illumination to nineteenth and twentieth-century stage productions, from film to ballet and hyperinstruments.
Dr Antonella Braida is lecturer in Italian at the University of Durham, UK. Dr Luisa Calè is a lecturer in the School of English and Humanities at Birkbeck College, University of London, UK.
Inhaltsangabe
Contents: Introduction; Part I Dante in Performance: The Comedy as a text for performance Peter Armour; Dante on the 19th-century stage Richard Cooper; Dante's Inferno in the 1900s: from drama to film Antonella Braida; From Dante to Dante Sonata Jane E. Everson; 'La dolce sinfonia di Paradiso': can mere mortals compose it? Maria Ann Roglieri. Part II Dante in the Visual Arts: The image of Dante poet and pilgrim Rachel Owen; Francesca observed: painting and illustration c1790-1840 Nicholas Havely; Dante and the pre-Raphaelites: British and Italian responses Guiliana Pieri; From Hell to Paradise or the other way round? Salvador Dali's Divina Commedia Ilaria Schiaffini. Part III Dante in the Cinema and Multimedia: Francesca da Rimini: the movie Amilcare A. Iannucci; Dante in the cinema or Dante and the cinema? Christopher Wagstaff; From Dante's Inferno to A TV Dante: Phillips and Greenaway remediating Dante's polysemy Luisa Calè. Coda: Wish you were here: postcards from the afterlife Alex Cooper; Select bibliography; Index.
Contents: Introduction; Part I Dante in Performance: The Comedy as a text for performance Peter Armour; Dante on the 19th-century stage Richard Cooper; Dante's Inferno in the 1900s: from drama to film Antonella Braida; From Dante to Dante Sonata Jane E. Everson; 'La dolce sinfonia di Paradiso': can mere mortals compose it? Maria Ann Roglieri. Part II Dante in the Visual Arts: The image of Dante poet and pilgrim Rachel Owen; Francesca observed: painting and illustration c1790-1840 Nicholas Havely; Dante and the pre-Raphaelites: British and Italian responses Guiliana Pieri; From Hell to Paradise or the other way round? Salvador Dali's Divina Commedia Ilaria Schiaffini. Part III Dante in the Cinema and Multimedia: Francesca da Rimini: the movie Amilcare A. Iannucci; Dante in the cinema or Dante and the cinema? Christopher Wagstaff; From Dante's Inferno to A TV Dante: Phillips and Greenaway remediating Dante's polysemy Luisa Calè. Coda: Wish you were here: postcards from the afterlife Alex Cooper; Select bibliography; Index.
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