Together, the essays show how Iannucci’s reading of central cruxes in Dante’s texts continues to inspire Dante studies – a testament to his continuing influence and profound intellectual legacy.
Together, the essays show how Iannucci’s reading of central cruxes in Dante’s texts continues to inspire Dante studies – a testament to his continuing influence and profound intellectual legacy.
Preface Bibliography of works by Amilcare Iannucci (University of Toronto, Comparative Literature) List of Contributors Note on Editions and Acknowledgements Chapter 1: Zygmunt G. Baräski (University of Cambridge, Italian) ‘Lascio cotale trattato ad alto chiosatore’: Form, Literature and Exegesis in Dante’s Vita Nova Chapter 2: Teodolinda Barolini (Columbia University, Italian) A Cavalcantian Vita Nuova: Dante’s Canzoni Lo doloroso amor che mi conduce and E’ m’incresce di me sì duramente Chapter 3: Robert Hollander (Princeton University, European Literature) Dante’s Cato Again Chapter 4: Elena Lombardi (Jesus College Oxford, Italian) ‘Che libido fe’ licito in sua legge’: Lust and Law, Reason and Passion in Dante Chapter 5: Carolynn Lund-Mead (Independent scholar) The Vulgata in the Commedia: Self-Interpreting Texts Chapter 6: Maggie Kilgour (McGill University, English) Dante’s Ovidian Doubling Chapter 7: Massimo Ciavolella (University of California Los Angeles, Italian) Esoteric Interpretations of the Divine Comedy Chapter 8: Piero Boitani (University of Rome, Comparative Literature) Ersed Irredent: The Irish Dante
Preface Bibliography of works by Amilcare Iannucci (University of Toronto, Comparative Literature) List of Contributors Note on Editions and Acknowledgements Chapter 1: Zygmunt G. Baräski (University of Cambridge, Italian) ‘Lascio cotale trattato ad alto chiosatore’: Form, Literature and Exegesis in Dante’s Vita Nova Chapter 2: Teodolinda Barolini (Columbia University, Italian) A Cavalcantian Vita Nuova: Dante’s Canzoni Lo doloroso amor che mi conduce and E’ m’incresce di me sì duramente Chapter 3: Robert Hollander (Princeton University, European Literature) Dante’s Cato Again Chapter 4: Elena Lombardi (Jesus College Oxford, Italian) ‘Che libido fe’ licito in sua legge’: Lust and Law, Reason and Passion in Dante Chapter 5: Carolynn Lund-Mead (Independent scholar) The Vulgata in the Commedia: Self-Interpreting Texts Chapter 6: Maggie Kilgour (McGill University, English) Dante’s Ovidian Doubling Chapter 7: Massimo Ciavolella (University of California Los Angeles, Italian) Esoteric Interpretations of the Divine Comedy Chapter 8: Piero Boitani (University of Rome, Comparative Literature) Ersed Irredent: The Irish Dante
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