Alongside traditional notions of Dante's trademark plurality of linguistic registers and styles, this book argues that his narrative pluralism can and should play a key role in contemporary and future readings of the Commedia .
Alongside traditional notions of Dante's trademark plurality of linguistic registers and styles, this book argues that his narrative pluralism can and should play a key role in contemporary and future readings of the Commedia .
Nicolò Crisafi is a Research and Teaching Fellow in Italian and Director of Modern Languages at Pembroke College, University of Cambridge. He has published on medieval Italian literature with a focus on the works of Dante Alighieri. He engages in research on narrative theory, the role of the reader, the relation between language, affect, and vulnerability, and the intersection between narrative forms and worldviews. His current project on possibility and the utopian imagination, developed as a fellow of ICI Berlin (2018-2020), investigates narratives of possibility and their political implications in the late middle ages.
Inhaltsangabe
1: Introduction: Dante's masterplot 2: Paradox in the poem 3: Alternative endings and parallel lives 4: The future in/out of the Commedia 5: Epilogue: Dante's narrative pluralism
1: Introduction: Dante's masterplot 2: Paradox in the poem 3: Alternative endings and parallel lives 4: The future in/out of the Commedia 5: Epilogue: Dante's narrative pluralism
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